Uc Berkeley Film Bibliography Example

General and Miscellaneous

Barbash, Ilisa
Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos / Ilisa Barbash and Lucien Taylor; technical illustrations by Sandra Murray; figure drawings by Chad Vaughan. Berkeley: University of California Press, c1997.
UCB Anthropol GN347 .B37 1997 Reference
Available online - UC users only

Cinematographic Theory and New Dimensions in Ethnographic Film
Edited by Paul Hockings and Yasuhiro Omori. Osaka; National Museum of Ethnology, 1988. Series title: Senri ethnological studies no. 24.
UCB Anthropol GN347 .C56 1988

El Guindi, Fadwa.
Visual anthropology : essential method and theory / Fadwa El Guindi Walnut Creek, Calif. : AltaMira Press, c2004.
Anthropology GN347 .E5 2004
Moffitt GN347 .E5 2004

Ethnographic Film Aesthetics and Narrative Traditions: Proceedings from NAFA 2
Edited by Peter Ian Crawford and Jan Ketil Simonsen. Aarhus [Denmark]: Intervention Press in association with the Nordic Anthropological Film Association, 1992.
UCB Anthropol GN347 .E84 1992

Fields of vision : essays in film studies, visual anthropology, and photography
Edited by Leslie D Berkeley : University of California Press, c1995.
Main (Gardner) Stacks PN1994 .F433 1995 AVAILABLE
Moffitt PN1994 .F433 1995

Griffiths, Alison
"'To the World the World We Show': Early Travelogues as Filmed Ethnography." Film History; 1999, Vol. 11 Issue 3, p282-307, 26p
Available online - UC users only

Heider, Karl G.
Ethnographic film / by Karl G. Heider. Austin : University of Texas Press, 2006.
Full text available online (UCB users only)
Anthropology GN347 .H44 2006
Main (Gardner) Stacks GN347 .H44 2006

Heider, Karl G.
Ethnographic Film / by Karl G. Heider. Austin: University of Texas Press, c1976.
UCB Anthropol GN347 .H441
UCB Moffitt GN347 .H441

Heider, Karl G.
Seeing Anthropology: Cultural Anthropology Through Film / Karl G. Heider Boston, MA: Allyn and Bacon, c1997.
UCB Anthropol GN347 .H46 1997

Jenssen, Toril.
Behind the eye : reflexive methods in culture studies, ethnographic film, and visual mediaHojbjerg : Intervention Press, 2009.
Anthropology GN347 .J46 2009

Loizes, Peter
Innovation in Ethnographic Film: From Innocence to Self-consciousness, 1955-85 / Peter Loizos. Chicago; University of Chicago Press, 1993.
UCB Anthropol GN347 .L65 1993

Marks, Dan.
"Ethnography and Ethnographic Film: From Flaherty to Asch and After." (visual ethnographers Robert Flaherty and Timothy Asch) American Anthropologist v97, n2 (June, 1995):339 (9 pages).
Visual ethnographers Robert Flaherty and Timothy Asch's ethnographic films reflected and helped develop the methodology and themes of ethnographic research. Films such as Flaherty's 'Nanook of the North' and Asch's 'The Ax Fight' presented new approaches in ethnographic film production and subject representation. Asch's film also prefigured other ethnographers' attempts to present explanations of social data and applying such interpretations to higher-order analytical problems.

Memories of the origins of ethnographic film
Beate Engelbrecht (ed.). Frankfurt am Main ; New York : Peter Lang, 2007.
Main (Gardner) Stacks GN347 M46 2007

Pink, Sarah.
The future of visual anthropology : engaging the senses / Sarah Pink. London ; New York : Routledge, 2006.
Anthropology GN347 .P57 2006
Moffitt GN347 .P57 2006

Principles of visual anthropology
Edited by Paul Hockings. Berlin ; New York : Mouton de Gruyter, 2003.
Anthropology GN347 .P75 2003
Anthropology GN347 .P75 1995 [Earlier edition]

Rony, Fatimah Tobing.
The third eye: race, cinema, and ethnographic spectacle. Durham [N.C.]: Duke University Press, 1996.
ANTH: GN347 .R55 1996
MOFF: GN347 .R55 1996
ETHN: GN347 .R55 1996;

Ruby, Jay.
"Exposing yourself: Reflexivity, anthropology, and film." Semiotica 30-1/2 (1980), pages. 153-179.

Ruby, Jay.
"Is an Ethnographic Film a Filmic Ethnography." Studies in the anthropology of Visual Communication, Vol. 2, No. 2, Fall 1975.

Ruby, Jay.
"The last 20 years of visual anthropology - a critical review." Visual Studies, Volume 20, Issue 2 October 2005 , pages 159 - 170
UCB users only

Russell, Catherine
Experimental Ethnography: The Work of Film in the Age of Video / Catherine Russell. Durham [N.C.]: Duke University Press, 1999.
Main Stack PN1995.9.D6.R79 1999

Visualizing anthropology
Edited by Anna Grimshaw and Amanda Ravetz. Bristol : Intellect, 2005.
Full text available online (UCB users only)

Timothy Asch

Asch, Timothy.
"The Ethics of Ethnographic Film-making." In: Film as ethnography / edited by Peter Ian Crawford and David Turton. Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the U.S.A. and Canada by St. Martin's Press, c1992.
Anthropology GN347 .F55 1992

Blaustein, Richard.
"Review: Films from the Yanomamö Series." The Journal of American Folklore, Vol. 92, No. 364 (Apr. - Jun., 1979), pp. 252-254 UC users only

Elder, Sarah
"Timothy Asch between filmmaking and pedagogy." In: Memories of the origins of ethnographic film / Beate Engelbrecht (ed.). Frankfurt am Main ; New York : Peter Lang, 2007.
Main (Gardner) Stacks GN347 M46 2007

Heider, Karl G.
"Timothy Asch." In: Ethnographic film / by Karl G. Heider. Austin : University of Texas Press, 2006.
Anthropology GN347 .H44 2006

Loizes, Peter
"The Yanomami films of Asch and Chagnon." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Morning with Asch.(video)
Jayasinhji Jhala, professor of Anthropology at Temple University, interviews filmmaker, educator and visual anthropologist, Timothy Asch, in his Los Angeles home. Asch, expresses his views on his life and work and reveals intimate perspectives on confronting his death from cancer. Excerpts from Asch's films representing his groundbreaking fieldwork with the Yanomamo and the indigenous peoples of Indonesia are woven into the dialogue. 1955. 45 min. Media Resources Center Video/C 4812

Ruby, Jay.
"Out of Synch: The Cinema of Tim Asch." Visual Anthropology Review Volume 11 Issue 1, Pages 19 - 37
UC users only

Timothy Asch & ethnographic film
Edited by E.D. Lewis. London ; New York : Routledge, 2004.
The Feast

Kensinger, Kenneth M.
"Review: The Feast." American Anthropologist, New Series, Vol. 73, No. 2 (Apr., 1971), pp. 500-502
UC users only

See Documentary Film bibliography

The cinema of Robert Gardner
Edited by Ilisa Barbash and Lucien Taylor. Oxford ; New York : Berg, 2007.
Anthropology GN347 .C584 2007

Coover, Roderick.
"Filmmaker to Filmmaker: Robert Gardner and the Cinematic Process." American Anthropologist; Sep2007, Vol. 109 Issue 3, p537-544, 8p
UC users only

Gardner, Robert.
"Anthropology and Film." Daedalus, Vol. 86, No. 4 (Oct., 1957), pp. 344-352
UC users only

Gardner, Robert.
The impulse to preserve : reflections of a filmmaker / Robert Gardner ; foreword by Charles Simic ; edited by Ted Perry ; designed by Jeannet Leendertse. New York : Other Press, c2006.
Main (Gardner) Stacks GN347 .G37 2006
Anthropology GN347 .G37 2006
PFA GN347 .G37 2006

Heider, Karl G.
"Robert Gardner." In: Ethnographic film / by Karl G. Heider. Austin : University of Texas Press, 2006.
Full text available online (UCB users only)
Anthropology GN347 .H44 2006

Heider, Karl G.
"Robert Gardner, The Early Years." Visual Anthropology Review Volume 17 Issue 2, Pages 61 - 70
UC users only

Östör, Ákos
"Robert Gardner's ambivalent anthropological filmmaking." In: Memories of the origins of ethnographic film / Beate Engelbrecht (ed.). Frankfurt am Main ; New York : Peter Lang, 2007.
Main (Gardner) Stacks GN347 M46 2007

Ruby, Jay.
"An Anthropological Critique of the Films of Robert Gardner." Journal of Film & Video, Winter91, Vol. 43 Issue 4, p3-17, 15p
UC users only

Ruby, Jay.
"Robert Gardner and Anthropological Cinema." In: Picturing culture : explorations of film & anthropology / Jay Ruby. Chicago : University of Chicago Press, 2000.
Anthropology GN347 .R83 2000

Altar of Fire

Paul, Robert A.
"Films: Altar of Fire. 1975-76. Filmed by Robert Gardner, co-produced by Frits Staal." American Anthropologist Volume 80, Issue 1, Date: March 1978, Pages: 197-199
UC users only

Dead Birds

Heider, Karl G.
The Dani of West Irian : an ethnographic companion to the film Dead birds / Karl G. Heider ; with the narration and film maker's statement by Robert Gardner.[Andover, Mass.] : Warner Modular Publications, 1972.
Anthropology DU744 .H393 1972
NRLF (UCB) DU744 .H393 1972

Loizes, Peter
"Dead Birds." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Making Dead birds : chronicle of a film
Robert Gardner ; foreword by Phillip Lopate ; edited by Charles Warren ; designed by Jeannet Leendertse.Cambridge, MA : Peabody Museum Press, Harvard University, c2007.
Anthropology DU744.35.D32 G37 2007

Mishler, Craig.
"Narrativity and Metaphor in Ethnographic Film: A Critique of Robert Gardner's Dead Birds." American Anthropologist Volume 87, Issue 3, Date: September 1985, Pages: 668-672
UC users only

Watson, James B.
"Film Reviews: Dead Birds." American Anthropologist Volume 67 Issue 5, Pages 1357 - 1359
UC users only

Deep Hearts

Lieber, Michael
"Deep Hearts." American Anthropologist, New Series, Vol. 82, No. 1 (Mar., 1980), pp. 224-225
UC users only

Loizes, Peter
"Deep Hearts." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Forest of Bliss

Chopra, Radika.
"Forest of Bliss: A Review." SVA Newsletter 1989

Coover, Roderick.
"Worldmaking, metaphors and montage in the respresentation of cultures: crosscultural filmmaking and the poetics of Robert Gardner's "Forest of Bliss." Visual Anthropology, 2001, Vol. 14 Issue 4, p415, 20p
UC users only

Gardner, Robert
Making Forest of bliss : intention, circumstance, and chance in nonfiction film : a conversation between Robert Gardner + Äkos ÖstÖr. Cambridge, Mass. : Harvard Film Archive : Distributed by Harvard University Press, c2001.
Main (Gardner) Stacks DS486.B4 G38 2001

Kapur, Jyotsna.
"The art of ethnographic film and the politics of protesting modernity: Robert Gardner's forest of Bliss." Visual Anthropology, Volume 9, Issue 2 1997 , pages 167 - 185
UC users only

Kirepatrick, Joanna.
"Forest of Bliss." American Anthropologist Volume 91, Issue 1, Date: March 1989, Pages: 273-274
UC users only

Larson, Heidi.
"Gardner's Forest Fires: Hindu Bliss." Anthropology and Humanism Quarterly Volume 12 Issue 3-4, Pages 97 - 98
UC users only

Loizes, Peter
"Forest of Bliss." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Moore, Alexander.
"The Limitations of Imagist Documentary: A Review of Robert Gardner's Forest of Bliss." Society for Visual Anthropology Newsletter, Vol. 4, No. 2, pp. 1-3.
UC users only

Oppitz, Michael.
"A Day in the City of Death: 'Forest of Bliss' (by Robert Gardner)-A Film Review." Anthropos: International Review of Anthropology and Linguistics, vol. 83, no. 1-3, pp. 210-212, 1988

östör, Äkos.
"Is That What Forest of Bliss is All About?: A Response." Visual Anthropology Review Volume 5 Issue 1, Pages 4 - 8
UC users only

Sinha, Suryanandini.
"The Marigold Trail: A Study of Robert Gardner's Forest of Bliss (1985)." Visual Anthropology Review, 2009, Vol. 25 Issue 1, p40-48, 9p
UC users only

Ika Hands

Allen, Catherine.
"Ika Hands (review)" American Anthropologist Volume 92. Issue 4. December 1990 (Pages 1105 - 1108)
UC users only

Rivers of Sand

Bender, Lionel.
"Rivers of Sand." American Anthropologist Vol. 79, No. 1 (Mar., 1977), pp. 196-197
UC users only

Lydall, Jean; Strecker, Ivo.
"A Critique Of Lionel Bender's Review Of Rivers of Sand." American Anthropologist, New Series, Vol. 80, No. 4 (Dec., 1978), pp. 945-946
UC users only

Loizes, Peter
"Rivers of Sand." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Loizos, Peter.
"Robert Gardner's Rivers of Sand: Towards a Reappraisal." In: Fields of vision : essays in film studies, visual anthropology, and photography / edited by Leslie Devereaux and Roger Hillman. Berkeley : University of California Press, c1995.
Main (Gardner) Stacks; Moffitt PN1994 .F433 1995

Kildea, Gary; Willson, Margaret.
"Interpreting Ethnographic Film: An Exchange About 'Celso and Cora'." Anthropology Today, Vol. 2, No. 4 (Aug., 1986), pp. 15-17
UC users only

Taking Pictures(video)
Australian documentary filmmakers explore the issues and pitfalls of filming across cultural boundaries through interviews and samples of their films of Papua New Guinea including Trobriand Cricket, First Contact, The Shark Callers of Kontu, Joe Leah's Neighbors, Black Harvest, Cannibal tours, and others. It also covers the work of indigenous Papua New Guinea filmmakers and their own experience making sense of film and culture. Featuring: Gary Kildea, Dennis O'Rourke, Chris Owen, Bob Connolly, Robin Anderson, Steve McMillan, Martin Maden, Ian Dunlop, Kuman Kolain. 1996. 56 min. Video/C 4933

Trobriand Cricket

Foster, Robert.
"From Trobriand cricket to rugby nation: The mission of sport in Papua New Guinea." International Journal of the History of Sport, Aug2006, Vol. 23 Issue 5, p739-758, 20p
UC users only

Leach, Jerry W.
"Trobriand Cricket." In: Anthropological filmmaking : anthropological perspectives on the production of film and video for general public audiences / edited by Jack R. Rollwagen. Chur, Switzerland ; New York : Harwood Academic Publishers, c1988.
Anthropology GN347 .A581 1988)
Comparative Ethnic Studies GN347 .A581

Leach, Jerry W.
"Structure and Message in Trobriand cricket." Techniques & Culture, Vol. 39 (2002), p. 195-209

Loizos. Peter.
"Trobriand Cricket." In: Innovation in ethnographic film: from innocence to self-consciousness, 1955-85 Chicago : University of Chicago Press, 1993. pp: 36-39.
Anthropology GN347 .L65 1993

Meyer, Richard E.
"Folk Groups." Journal of American Folklore, Jul-Sep1983, Vol. 96 Issue 381, p376-377, 2p
UC users only

Ness, Sally Ann.
"Understanding Cultural Performance." TDR: The Drama Review; Winter1988, Vol. 32 Issue 4, p135-147, 13p
UC users only

Ness, Sally Ann.
"Trobriand Cricket." In: Anthropology, sport, and culture / edited by Robert R. Sands ; foreword by Kendall Blanchard. Westport, Conn. : Bergin & Garvey, 1999.
Anthropology GV706.2 .A58 1999

Neumann, Birgit.
"Re-Membering Cricket: Sport as an instrument of decolonisation in Trobriand Cricket (1976) and Lagaan. Once Upon a Time in India (2001)." Contemporary Theatre Review, 2006, Vol. 16 Issue 4, p468-482, 15p
UC users only

Roberts, Martin.
"The self in the other: ethnographic film, surrealism, politics." Visual Anthropology, 1996, Vol. 8 Issue 1, p79-94, 16p
UC users only

Saper, Craig J.
Artificial mythologies : a guide to cultural invention / Craig J. Saper ; foreword by Laura Kipnis. Minneapolis : University of Minnesota Press, c1997. pp: 79-81
Full text available online (UCB users only)
Main (Gardner) Stacks PN56.P547 S36 1997

Weiner, Annette B.
"Trobriand Cricket." American Anthropologist Volume 79. Issue 2. June 1977 (Pages 506 - 507) UC users only

Barbash, Ilisa; MacDougallm David; Taylor, Lucien; MacDougall, Judith
" Reframing Ethnographic Film: A "Conversation" with David MacDougall and Judith MacDougall." American Anthropologist, New Series, Vol. 98, No. 2 (Jun., 1996), pp. 371-387
UC users only

Blount, Ben G.
"Turkana Conversations Trilogy." American Anthropologist Volume 86. Issue 3. September 1984 (Pages 803 - 806)
UC users only

Haring, Lee.
"Lorang's Way." Journal of American Folklore, Jan-Mar1984, Vol. 97 Issue 383, p115-116, 2p
UC users only

MacDougall, David.
The corporeal image : film, ethnography, and the senses / David MacDougall. Princeton, N.J. : Princeton University Press, c2006.
Anthropology; Main; PFA GN347 .M32 2006

Loizes, Peter
"Lorang's Way: A Turkana Man." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Loizes, Peter
"The MacDougalls' Background." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

MacDougall, David.
"Beyond Observational Cinema." In: Principles of visual anthropology / edited by Paul Hockings. Berlin ; New York : Mouton de Gruyter, 2003.
Anthropology GN347 .P75 2003

MacDougall, David.
"Complication of Style." In: The anthropology of media : a reader / edited by Kelly Askew and Richard R. Wilk. Malden, Mass. : Blackwell Publishers, 2002.
Main (Gardner) Stacks P94.6 .A574 2002

MacDougall, David.
"Ethnographic Films: Failure and Promise." Annual Review of Anthropology Vol. 7: 405-425 October 1978)
UC users only

MacDougall, David.
"Prospects of the Ethnographic Film." Film Quarterly, Vol. 23, No. 2 (Winter, 1969-1970), pp. 16-30
UC users only

MacDougall, David.
"The Subjective Voice in Ethnographic Film." In: Fields of vision : essays in film studies, visual anthropology, and photography / edited by Leslie Devereaux and Roger Hillman. Berkeley : University of California Press, c1995.
Main (Gardner) Stacks PN1994 .F433 1995
Moffitt PN1994 .F433 1995

MacDougall, David.
"The Visual in Anthropology." In: Rethinking visual anthropology / edited by Marcus Banks and Howard Morphy. New Haven : Yale University Press, c1997.
Anthropology GN347 .R45 1997
Contents via Google books

MacDougall, David.
"When Less Is Less: The Long Take in Documentary." Film Quarterly, Vol. 46, No. 2 (Winter, 1992-1993), pp. 36-46
UC users only

MacDougall, David.
"Whose Story Is It? Visual Anthropology Review Volume 7 Issue 2, Pages 2 - 10

MacDougall, David; MacDougall, Judith; Barbash, Ilisa; Taylor, Lucien.
"Radically Empirical Documentary: An Interview with David and Judith MacDougall." Film Quarterly, Vol. 54, No. 2 (Winter, 2000-2001), pp. 2-14
UC users only

Myers, Fred R.
"From Ethnography to Metaphor: Recent Films from David and Judith MacDougall." Cultural Anthropology 3(2):205-220 (1988)

Doon School Quintet

Grimshaw, Anna.
"From observational cinema to participatory cinema - and back again? David MacDougall and the Doon school project." Visual anthropology review V. 18, (2002), p. 80-93
UC users only

MacDougall, David.
"Social Aesthetics and The Doon School." Visual Anthropology Review, Volume 15, Issue 1 (March 1999) Pages: 3-20
UC users only

Srivastava, Sanjay. Constructing post-colonial India : national character and the Doon School / Sanjay Srivastava. London ; New York : Routledge, 1998.
Main (Gardner) Stacks DS428.2 .S77 1998)

Srivastava, Sanjay.
"Imagining Social Landscapes." Visual Anthropology Review Volume 16 Issue 1, Pages 95 - 98 (March 2000)
UC users only

Vaughan, Dai.
"The Doon School Project." Visual Anthropology, Volume 18, Issue 5 October 2005, pages 457 - 464
UC users only

Photo Wallahs

Östör, Ákos
"Filming Photography with the MacDougalls in India." Visual Anthropology Review Volume 9 Issue 2, Pages 126 - 131 (September 1993)
UC users only

MacDougall, David.
""Photo wallahs:" An Encounter with Photography." Visual Anthropology Review, Volume 8, Issue 2 (September 1992) Pages: 96-100
UC users only

MacDougall, David
"Photo wallahs:" An Encounter with Photography." Visual Anthropology Review, Volume 8, Issue 2 (September 1992) Pages: 96-100
UC users only

Pinney, C.
"To know a man from his face': "Photo wallahs" and the uses of visual anthropology." Visual anthropology review V. 9, no. 2 (1993), p. 118-25
UC users only

Scherer, Joanna Cohan.
"Photo Wallahs." American Anthropologist, Volume 94, Issue 4 (December 1992) Pages: 1029-1030
UC users only

To Live with Herds

Gulliver, P. H.
"To Live with Herds." American Anthropologist, Volume 75, Issue 2 (April 1973) Pages: 597-598
UC users only

Loizes, Peter
"To Live with Herds." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

The Wedding Camels

Blount, Ben G.
"Turkana Conversations Trilogy." American Anthropologist Volume 86. Issue 3. September 1984 (Pages 803 - 806)
UC users only

Loizes, Peter
"The Wedding Camels." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Owomoyela, Oyekan.
"The Wedding Camels." Journal of American Folklore, Jan-Mar1984, Vol. 97 Issue 383, p116-117, 2p
UC users only

Bishop, John
"Life by myth : the development of ethnographic filming in the work of John Marshall." In: Memories of the origins of ethnographic film / Beate Engelbrecht (ed.). Frankfurt am Main ; New York : Peter Lang, 2007.
Main (Gardner) Stacks GN347 M46 2007

Durington, Matthew.
"John Marshall's Kalahari Family." American Anthropologist; Sep2004, Vol. 106 Issue 3, p589-594, 6p UC users only

Heider, Karl G.
"John Marshall." In: Ethnographic film / by Karl G. Heider. Austin : University of Texas Press, 2006.
Full text available online (UCB users only)
Anthropology GN347 .H44 2006

Loizes, Peter
"Marshall's !Kung/San Films." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Loizes, Peter
"N!ai: The Story of a !Kung Woman." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Tomaselli, Keyan G.
"'At the Other End of the Camera': Film through History in John Marshall's Documentaries." Studies in Documentary Film, vol. 1, no. 2, pp. 123-136, 2007
UC users only

van Vuuren, Lauren.
"'And he said they were Ju/Wasi, the people...': History and Myth in John Marshall's 'Bushmen Films' 1957-2000." Journal of Southern African Studies; Sep2009, Vol. 35 Issue 3, p557-574, 18p
UC users only

"Dennis O'Rourke." In: Biography/Filmography in culturebase.net

Lutkehaus, Nancy Christine C.
"'Excuse me, everything is not all right': on ethnography, film, and representation: an interview with filmmaker Dennis O'Rourke." Cultural anthropology (1989), p. 422-37.
UC users only

O'Rourke, Dennis
"Documenting a Life Documentary Fictions: Bibliography, Truth and Moral Lies." National Library of Australia

Cannibal Tours

Ames, Michael M.
"Cannibal Tours, Glass Boxes, and the Politics of Interpretation." In: Cannibal Tours and Glass Boxes: The Anthropology of Museums Vancouver : UBC Press, c1992.
Full text available online (UCB users only)
Anthropology GN35 .A44 1992

Errington Frederick, Gewertz, Deborah
"Cannibal Tours." (audio-visual reviews) American Anthropologist March 1989 v91 n1 p27(2)

Gewertz, Deborah; Errington, Frederick.
"Cannibal Tours." American Anthropologist, 1989, Vol. 91 Issue 1, p274-275, 2p
UC users only

MacCannell, Dean
"Cannibal Tours." Visual Anthropology Review Volume 6, Issue 2, pages 14-24, September 1990
UC users only

Young, Katharine
"Visuality and the Category of the Other: The Cannibal Tours of Dean MacCannell and Dennis O'rourke." Visual Anthropology Review Volume 8, Issue 1, pages 92-96, March 1992
UC users only

O'Rourke, Dennis
"Beyond Cannibal tours: tourists, modernity and "the other"." In: Tourism and cultural development in Asia and Oceania / edited by Shinji Yamashita, Kadir H. Din, J.S. Eades. Cet. 1. Bangi: Penerbit Universiti Kebangsaan Malaysia, 1997.
Main Stack G155.A74.T653 1997

Silverman, Eric C.
"Cannibalizing, Commodifying, and Creating Culture: Power and Creativity in Sepik." In: Globalization and culture change in the Pacific Islands / edited by Victoria S. Lockwood. Upper Saddle River, N.J. : Pearson/Prentice Hall, c2004.
Anthropology GN663 .G56 2004
Comparative Ethnic Studies GN663 .G56 2004

Stocks, Ian.
"The Troubles of Dennis O'Rourke." Senses of Cinema

Young, K. K.
"Visuality and the category of the Other: the cannibal tours of Dean MacCannell and Dennis O'Rourke." Visual anthropology review Vol. 8, no. 1 (1992), p. 92-6.
UC users only

The Good Woman of Bangkok

The Filmmaker and the prostitute: Dennis O'Rourke's The good woman of Bangkok
Edited by Chris Berry, Annette Hamilton a... Sydney: Power Publications, c1997.
Main Stack PN1997.G5943.F55 1997

Degabriele, Maria.
"From Madame Butterfly to Miss Saigon: One Hundred Years of Popular Orientalism." Critical Arts: A Journal of Cultural Studies. 10 (2): 105-18. 1996.

Geiger, Jeffrey.
"The Camera and Man: Colonialism, Masculinity, and Documentary Fiction." Third Text: Third World Perspectives on Contemporary Art & Culture. 42: 3-17. 1998 Spring.

Jayamanne, Laleen.
"Reception, genre, and the knowing critic: Dennis O'Rourke's The good woman of Bangkok." In: Toward cinema and its double: cross-cultural mimesis / Laleen Jayamanne. Bloomington: Indiana University Press, c2001. Arts and politics of the everyday.
Main Stack PN1993.5.A1.J37 2001

O'Rourke, D.
"A rejoinder to 'Conceiving the post-colonial everyday: an interrogation of "The good woman of Bangkok"' by Martina Rieker." Visual anthropology review Vol. 9, no. 2 (1993), p. 114-17.

Rieker, M.
"Narrating the post-colonial everyday: an interrogation of "The good woman of Bangkok"." Visual anthropology review Vol. 9, no. 1 (1993), p. 116-22.
UC users only

Shimakawa, Karen.
"'Fake intimacy': Locating National Identity in Dennis O'Rourke's The Good Woman of Bangkok." Discourse: Journal for Theoretical Studies in Media and Culture. 17 (3): 126-50. 1995 Spring.

Stocks, Ian.
"The Troubles of Dennis O'Rourke." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 13: 2001 Apr-May.

Stones, Rob.
"Social Theory, Documentary Film and Distant Others: Simplicity and Subversion in The Good Woman of Bangkok." European Journal of Cultural Studies. 5 (2): 217-37. 2002 May
UC users only
"Framed by the ethical considerations of Martha Nussbaum on 'the lives of distant others' and Zygmunt Bauman on 'being-for' the Other, this article critically analyses Australian director Denis O'Rourke's 'documentary fiction film' The Good Woman of Bangkok, the story of Aoi, a woman from a rural village in Udon in the northeast of Thailand who works in the Bangkok sex trade. The analysis attempts to give specificity and critical precision to what is too often a more intuitive and generalized critique of the contribution of current affairs programmes to the quality of understanding in the public sphere. The article combines textual analysis and social theory - two forms of analysis too often kept apart - to analyse the relationship between the text of the documentary per se and the conceptualization of social reality within that text. I argue that The Good Woman of Bangkok contains two tales or narratives, a simple one with a simple moral, and a more sophisticated, subversive one that is more attuned - albeit imperfectly - to the requirements of a mature public sphere. The more subversive thread undermines the simple tale by disrupting our belief in the overly naive picture of social reality that the latter depends upon. The article incorporates an argument for more dialogue between social theorists and documentary film makers." [Sage]

Tsiolkas, Christos.
"Unrepresentable You. UTS Review: Cultural Studies and New Writing. 4 (2): 188-96. 1998 Nov.

Williams, Linda.
"The Ethics of Intervention: Dennis O'Rourke's The Good Woman of Bangkok." In: Collecting visible evidence / Jane M. Gaines and Michael Renov, editors. pp: 176-89. Minneapolis: University of Minnesota Press, c1999.
Main Stack PN1995.9.D6.C535 1999

Anthropology, Reality, Cinema: The Films of Jean Rouch
Edited by Mick Eaton. London: British Film Institute, 1979.
UCB Main PN1998.A3 R6762
UCB Moffitt PN1998.A3 R6762

Barker, Jennifer M.
"Bodily Irruptions: The Corporeal Assault on Ethnographic Narration. Cinema Journal, vol. 34 no. 3. 1995 Spring. pp: 57-76.

Bickerton, Emilie
"The Camera Possessed." New Left Review; May/Jun2004 Issue 27, p49-63, 15p

Colleyn, Jean-Paul
"Jean Rouch: An Anthropologist Ahead of His Time." American Anthropologist, New Series, Vol. 107, No. 1 (Mar., 2005), pp. 113-11
UC users only

Cooper, Sarah.
"Otherwise Than Becoming: Jean Rouch And The Ethics Of Les MaÎTres Fous." French Studies, Oct2002, Vol. 56 Issue 4, P483, 11p
UC users only

De Heusch, Luc.
"Jean Rouch and the Birth of Visual Anthropology: A Brief History of the Comité international du film ethnographique." Visual Anthropology, Oct-Dec2007, Vol. 20 Issue 5, p365-386, 22p

DeBouzek, Jeanette.
"Ethnographic surrealism" of Jean Rouch / Jeanette DeBouzek. Visual Anthropology London v. 2, no. 3-4, 1989. pp. 301-315.
UC users only

Diirio, Sam
"Border Crossings." Film Comment; May/Jun2005, Vol. 41 Issue 3, p58-62, 5p
UC users only

Diirio, Sam
"Jean Rouch: An Anthropologist Ahead of His Time. By: Colleyn, Jean-Paul. American Anthropologist, Mar2005, Vol. 107 Issue 1, p112-115, 4p
UC users only

Diirio, Sam
"Notes on Jean Rouch and French Cinema." American Anthropologist March 2005, Vol. 107, No. 1, pp. 120-122
UC users only

Diirio, Sam
"Total Cinema: Chronique d'un été and the End of Bazinian Film Theory." Screen, vol. 48, no. 1, pp. 25-43, April 2007

Dornfeld, Barry.
"Chronicle of a Summer and the Editing of Cinéma-vérité." Visual Anthropology London v. 2, no. 3-4, 1989. pp. 317-331.
UC users only

Dumont, Jean-Paul
"Review of Chronicle of a Summer." American Anthropologist Dec 1978, Vol. 80, No. 4: 1020-1022.
UC users only

"The father of cinema verite." Sight & Sound, Jun2000, Vol. 10 Issue 6, p4-5, 2p

Feld, Steve.
"Avant Propos: Jean Rouch." Society for the Anthropology of Visual Communication. Studies in the Anthropology of Visual Communication. v. 1, no. 1, 1974.
UC users only

Feld, Steven.
"Remembering Rouch." American anthropologist Vol. 107, no. 1 (2005), p. 126-127

Feld, Steven.
"Themes in the Cinema of Jean Rouch." Visual Anthropology London v. 2, no. 3-4, 1989. pp. 223-247.
UC users only

Fischer, Michael M. J.
"Raising questions about Rouch." American anthropologist Vol. 99, no. 1 (1997), p. 140-3.
UC users only

Fulchignoni, Enrico.
"Conversation between Jean Rouch and Professor Enrico Fulchignoni." Visual Anthropology London v. 2, no. 3-4, 1989. pp. 265-300.
UC users only

Ginsburg, Faye; Ruby, Jay; Colleyn, Jean-Paul; Wanono, Nadine, et al.
"Ciné-Trance: A Tribute To Jean Rouch (1917-2004)." American Anthropologist. Mar 2005. Vol. 107, Iss. 1; p. 108 (22 pages)
UC users only

Graham. Peter
"Cinéma-Vérité" in France." Film Quarterly Vol. 17, No. 4 (Summer, 1964), pp. 30-36
UC users only

Grimshaw, Anna
"Ciné-Ethnography: Jean Rouch." Film Quarterly. Winter 2005/2006. Vol. 59, Iss. 2; p. 58 (2 pages)

Heider, Karl G.
"Jean Rouch." In: Ethnographic film / by Karl G. Heider. Austin : University of Texas Press, 2006.
Full text available online (UCB users only)
Anthropology GN347 .H44 2006

Henley, Paul.
The adventure of the real: Jean Rouch and the craft of ethnographic cinema / Paul Henley. Chicago : University of Chicago Press, 2009.
Full-text available online (UC Berkeley users only)

Henley, Paul.
"Jean Rouch Talks about His Films to John Marshall and John W. Adams." American Anthropologist December 1978, Vol. 80, No. 4, pp. 1005-1020
UC users only

Henley, Paul.
"Spirit possession, power, and the absent presence of Islam: re-viewing Les maîtres fous." Journal of the Royal Anthropological Institute. Dec 2006. Vol. 12, Iss. 4; p. 731 (31 pages)
UC users only

"Jean Rouch Talks about His Films to John Marshall and John W. Adams." American Anthropologist Dec 1978, Vol. 80, No. 4: 1005-1020.
UC users only

Jones, Graham
"A Diplomacy of Dreams: Jean Rouch and Decolonization." American Anthropologist, New Series, Vol. 107, No. 1 (Mar., 2005), pp. 118-120
UC users only

Jørgensen, Anne Mette.
"Filmmaking as Ethnographic Dialogues: Rouch's Family of 'Scoundrels' in Niger." Visual Anthropology, Jan/Feb2007, Vol. 20 Issue 1, p57-73, 17p
UC users only

Lim, Kien Ket
"Of Mimicry and White Man: A Psychoanalysis of Jean Rouch's Les maîtres fous Of Mimicry and White Man: A Psychoanalysis of Jean Rouch's Les maîtres fous." Cultural Critique, No. 51 (Spring, 2002), pp. 40-73
UC users only

Livia, Anna
"Everyone Would Rather Be in Paris." Visual Anthropology; Oct/Dec2003, Vol. 16 Issue 4, p393-406, 14p
UC users only
Reviews several motion pictures. "Les Maîtres Fous," directed by Jean Rouch; "La Noire de...," directed by Ousmane Sembene; "Rouch in Reverse," directed by Mathia Diawara; "Touki Bouki," directed by Djibril Diop Mambety.

Loizes, Peter
"Challenging Documentation-realism: Three Early Experiments of Jean Rouch." In: Innovation in ethnographic film : from innocence to self-consciousness, 1955-85 / Peter Loizos. Chicago : University of Chicago Press, 1993.
Anthropology GN347 .L65 1993

Margulies, Ivone .
"Chronicle of a Summer (1960) as Autocritique (1959): A transition in the French Left." Quarterly Review of Film and Video. Jul-Sep 2004. Vol. 21, Iss. 3; p. 173
UC users only

Mortimer, Lorraine.
"The Texture of Events and the Stuff of Dreams: Jean Rouch at the Heart of Film and Anthropology." The Australian Journal of Anthropology. 2007. Vol. 18, Iss. 3; pg. 264, 12 pgs
UC users only

Mortimer, Lorraine.
"Jean Rouch's Ciné-Ethnography: at the conjunction of research, poetry and politics." Screening the Past, Issue 17 Uploaded Thursday, 16 December 2004

Muller, Jean Claude
"Les Maîtres Fous." American Anthropologist December 1971, Vol. 73, No. 6, pp. 1471-1473
UC users only

Naficy, Hamid
"Jean Rouch: A personal perspective." Quarterly Review of Film and Video, Volume 4, Issue 3 Summer 1979 , pages 339 - 362

Nannicelli, Ted.
"From Representation to Evocation: Tracing a Progression in Jean Rouch's Les magiciens de Wanzerbé, Les maîtres fous , and Jaguar." Visual Anthropology, Apr2006, Vol. 19 Issue 2, p123-143, 21p
UC users only

"Notes on Four Rouch Films." American Anthropologist, New Series, Vol. 80, No. 4 (Dec., 1978), pp. 1022-1022
UC users only

Piault, Colette
"Forbidden Speech/Controlled Speech: Some Observations on the Role of the Word in Rouch's Films." Visual Anthropology Review Spring 2007, Vol. 23, No. 1, pp. 38-42
UC users only

Remy B.
"Whirling Spaces - Dance And Cinema." (Mary Wigman, Jean Rouch, Jean-Luc Godard, Yvonne Rainer, Valeska Gert, Tatsumi Hijikata) Revue d'esthetique (22) 101-& 1992

Rothberg, Michael.
"The Work of Testimony in the Age of Decolonization: Chronicle of a Summer, Cinema Verité, and the Emergence of the Holocaust Survivor." PMLA: Publications of the Modern Language Association of America, Oct2004, Vol. 119 Issue 5, p1231-1246, 16p
"Focuses on the juxtaposition of the film "Chronicle of a Summer" with the Holocaust memory remembrance. Trial of Nazi war criminal Adolf Eichmann; Movie scene of Holocaust testimony that suggests the need to look beyond the trial for alternative articulations of public remembrance; Argument on the discourse of truth and testimony in French resistance to the Algerian war that shaped and was shaped by memory of the Holocaust." [EBSCO]

Rouch J.
"The Camera and Man." Studies in the Anthropology of Visual Communication Sep 1974, Vol. 1, No. 1: 37-44.
UC users only

Rouch J.
"The Camera and Man." In: Principles of visual anthropology / edited by Paul Hockings. Berlin ; New York : Mouton de Gruyter, 2003.
Anthropology GN347 .P75 2003

Rouch J.
Ciné-ethnography Minneapolis : University of Minnesota Press, c2003.
Full text available online (UCB users only)
ANTH: GN347 .R57 2003
PFA : PN1995.9.E8 R68 2003

Rouch J.
"Jean Rouch: On The Filmmakers Museum Influences - Setting The Stage For Things That Matter." Museum 43: (4) 219-220 1991

VIDEORECORDING
Rouch in Reverse /
A film by Manthia Diawara; a Formation Films production for ZDF/ARTE. San Francisco, CA: California Newsreel, c1995. 1 videocassette (51 min.) VHS. Series title: Library of African cinema.
UCB Media Ctr VIDEO/C 4484
Description from California Newsreel catalog

Rouch, Jean.
"The situation and tendencies of the cinema in Africa." The Society for the Anthropology of Visual Communication. Studies in the anthropology of visual communication. -- [Washington, D.C.] v. 2, no. 2, 1975. p. 112-121.

Rothman, William.
"Chronicle of a Summer." In: Documentary film classics / William Rothman. Cambridge, Eng.; New York: Cambridge University Press, 1997.
Main Stack PN1995.9.D6.R69 1997

Ruby, Jay.
"A filmography of Jean Rouch - 1946-1981." Visual anthropology no. 3/4 (1989), p. 333-65.

Ruby, Jay.
"Jean Rouch: hidden and revealed." American anthropologist Vol. 107, no. 1 (2005), p. 111-112
UC users only

Scheinman, Diane.
"The 'Dialogic Imagination' of Jean Rouch: Covert Conversations in Les Maîtres Fous." In: Documenting the Documentary: Close Readings of Documentary Film and Video / edited by Barry Keith Grant and Jeannette Sloniowski. Detroit: Wayne State University Press, c1998. Contemporary film and television series
Moffitt PN1995.9.D6.D58 1998 188-203.

Stoller, Paul.
"Artaud, Rouch, and The Cinema of Cruelty." Visual Anthropology Review Sep 1992, Vol. 8, No. 2: 50-57.
UC users only

Stoller, Paul.
The Cinematic Griot: The Ethnography of Jean Rouch / Paul Stoller. Chicago; University of Chicago Press, 1992.
UCB Anthropol GN21.R63 S76 1992

Stoller, Paul.
"Jean Rouch 1917-2004." African Arts, Summer2004, Vol. 37 Issue 2, p10-93, 3p
UC users only

Stoller, Paul.
"Regarding Rouch: The Recasting of West African Colonial Culture." In: Cinema, Colonialism, Postcolonialism: Perspectives from the French and Francophone World / edited by Dina Sherzer. pp: 65-79. 1st ed. Austin; University of Texas Press, 1996.
Main Stack PN1993.5.F7.C4788 1996

Stoller, Paul.
"Jean Rouch's Ethnographic Path." Visual Anthropology v. 2, no. 3-4, 1989. pp. 249-263.
UC users only

Stoller, Paul.
"The Work Must Go On: A Tribute to Jean Rouch." American Anthropologist Mar 2005, Vol. 107, No. 1: 123-126.
UC users only

Taylor, Lucien
'A Conversation with Jean Rouch." Visual Anthropology Review Mar 1991, Vol. 7, No. 1: 92-102.
UC users only

Three documentary filmmakers : Errol Morris, Ross McElwee, Jean Rouch
Edited by William Rothman. Albany : SUNY Press, c2009.
Main (Gardner) Stacks PN1998.3.M684 T47 2009

Ukadike, N. Frank.
"Western Film Images of Africa: Genealogy of an Ideological Formulation." Black Scholar v21, n2 (March-May, 1990):30 (19 pages).

Ungar, Steven
"In the Thick of Things: Rouch and Morin's Chronique d'un étéReconsidered." French Cultural Studies. 14 (1 (40)): 5-22. 2003 Feb.

Waters, Sasha
"Rouch off the couch: on the mis-steps of a psychoanalytic approach to nonfiction film." Quarterly Review of Film and Video v. 19 no. 2 (2002) p. 145-53
"The writer critiques the psychoanalytic discourse that has emerged around Jean Rouch's ethnographic movie, Les Maîtres Fous (The Mad Masters). The movie depicts an annual Hauka possession ceremony taking place just outside Accra at the time of British colonial rule. In its voice-over track and its construction of the diegesis, the director presents and interprets this ritual in a way that thwarts non-Western, non-psychoanalitically motivated interpretations of the events. Moreover, although Rouch later expressed dissatisfaction with the narrowness of his explication of the ritual, anthropologists and movie theorists have not probed deeper into the rationalizations that his voice-over provides. Rather, scholars have further embedded the discourse surrounding the movie within the realm of psychoanalysis by focusing on the so-called surreal facets of the ritual's extreme activities. Inadequate and Euro-centric, this Western interpretation of such a textually rich and complex movie shows the limitations of psychoanalytic movie theory with regards to "actuality" footage." [Art Index]

Yakir, Dan; Jean Rouch
""Ciné-Transe": The Vision of Jean Rouch: An Interview." Film Quarterly Vol. 31, No. 3 (Spring, 1978), pp. 2-11
UC users only

Alexander, William
Film on the Left: American Documentary Film From 1931 to 1942 / William Alexander. Princeton, N.J.: Princeton University Press, c1981.
UCB Main PN1995.9.D6 .A38
Moffitt PN1995.9.D6 .A38

Alter, Nora M.
Projecting history: German nonfiction cinema, 1967-2000 Ann Arbor: University of Michigan Press, c2002.
MAIN: PN1995.9.D6 A39 2002

Arthur, Paul
"But Enough About You: First-person documentaries." Film Comment v. 42 no. 4 (July/August 2006) p. 24-5
"First-person documentary films have become increasingly common. Once an aesthetic stronghold of supposedly objective representations of reality, nonfiction moviemaking used to base its guarantees of authority and veracity on a universalized "we." Now, the most accurate, not to mention most compelling, cine-actualities are personal as well as explicitly partial, fragmentary, provisional, and often colloquial. These filmmakers are conveying "truths" that disavow comprehensive knowledge or higher ethical standards." [Art Index]

Arthur, Paul
"Essay Questions: From Alain Resnais to Michael Moore: Paul Arthur Gives a Crash Course in Nonfiction Cinema's Most Rapidly Evolving Genre." Film Comment 39:1 [January-February 2003] p. 58-62
UC users only

Arthur, Paul.
"Feel the Pain." Film Comment. Sep/Oct 2004. Vol. 40, Iss. 5; pg. 47, 4 pgs
UC users only
First-person documentaries are soothing the angst of their makers. It is embraced as a therapy intended to help their makers clarify, and ultimately begin to resolve, psychosocial problems often involving familial tension or trauma. Here, Arthur enumerates several first-person documentaries by several filmmakers.

Aufderheide, Patricia.
"The Camera as Conscience: How Social Issues Inspire Moving Documentaries. Chronicle of Higher Education v45, n9 (Oct 23, 1998):B7 (2 pages).

Aufderheide, Patricia.
Documentary film : a very short introduction Oxford ; New York : Oxford University Press, c2007.
MOFF: PN1995.9.D6 A94 2007
Table of contents only http://www.loc.gov/catdir/toc/ecip0717/2007018114.html

Aufderheide, Patricia.
"Public Intimacy: The Development of First-person Documentary." Afterimage v25, n1 (July-August, 1997):16 (3 pages).
UC users only

Baddeley, Walter Hugh.
The Technique of Documentary Film Production. With a pref. by Paul Rotha. London, New York, Focal Press [1966, c1963]. Series title: Library of communication techniques.
UCB Main PN1995.9.D6 B3

Baddeley, W. Hugh (Walter Hugh)
The technique of documentary film production. With a pref. by Paul Rotha. London, New York, Focal Press [1966, c1963]
Main (Gardner) Stacks PN1995.9.D6 B3

Baker, Maxine.
Documentary in the digital age Oxford; Burlington, MA: Focal Press, 2006.
MAIN: PN1995.9.D6 B35 2006

Barbash, Ilisa
Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos / Ilisa Barbash and Lucien Taylor; technical illustrations by Sandra Murray; figure drawings by Chad Vaughan. Berkeley: University of California Press, c1997.
UCB Anthropol GN347 .B37 1997 Reference
Available online - UC users only

Barnouw, Erik
Documentary: A History of the Non-fiction Film / Erik Barnouw. 2nd rev. ed. New York: Oxford University Press, 1993.
UCB Main PN1995.9.D6 B37 1993
Contents via Google Books

Barnouw, Erik
Documentary: A History of the Non-fiction Film / Erik Barnouw. Rev. ed. Oxford [Oxfordshire]; New York: Oxford University Press, 1983.
UCB Anthropol PN1995.9.D6 B37 1983
UCB Main PN1995.9.D6 B37 1983
UCB Media Ctr PN1995.9.D6 B37 1983

Barnouw, Erik
Documentary: A History of the Non-fiction Film / Erik Barnouw. New York: Oxford University Press, 1974.
UCB Main PN1995.9.D6 B371
UCB Moffitt PN1995.9.D6 B37

Baron, Jaimie
"Contemporary Documentary Film and "Archive Fever": History, the Fragment, the Joke." Velvet Light Trap: A Critical Journal of Film & Television; Fall2007, Issue 60, p13-24, 12p,
Available online - UC users only
This article presents an examination of the relationship between the documentary and the archive. It aims to uncover the ways in which documentaries draw viewers into the archives, raising questions about their relationship with the historical memory that artifacts in the archive seem to promise. Borrowing from the complementary and competing historiographical methodologies of deconstruction and New Historicism, it examines four recent documentaries that complicate viewers' understanding of what constitutes an archive and their access to it. It argues that each archival fragment in these films can be seen as a metonym.

Barsam, Richard Meran.
Nonfiction Film; A Critical History. Foreword by Richard Dyer MacCann. [1st ed.]. New York, Dutton, 1973.
UCB Main PN1995.9.D6 B38
UCB Moffitt PN1995.9.D6 B38

Barsam, Richard Meran.
Nonfiction Film: A Critical History / Richard M. Barsam. Rev. and expanded. Bloomington; Indiana University Press, c1992.
UCB Main PN1995.9.D6 B38 1992
UCB Moffitt PN1995.9.D6 B38 1992

Beattie, Keith
Documentary screens: non-fiction film and television New York: Palgrave Macmillan, 2004.
MAIN: PN1995.9.D6 B384 2004;

Bernini, Emilio
"Politics and the documentary film in Argentina during the 1960s." Journal of Latin American Cultural Studies Volume 13, Number 2 / August 2004 Pages: 155 - 170
UC users only

Between the Sheets, in the Streets: Queer, Lesbian, and Gay Documentary
Chris Holmlund and Cynthia Fuchs, editors. Minneapolis: University of Minnesota Press, c1997.
Main Stack P96.D622.U63 1997

Beyond Document: Essays on Nonfiction Film
Edited by Charles Warren. Hanover, NH: University Press of New England, c1996.
UCB Main PN1995.9.D6 B48 1996
UCB Moffitt PN1995.9.D6 B48 1996

Birri, Fernando
"The roots of documentary realism." In: Argentine cinema / edited by Tim Barnard. Toronto: Nightwood Editions, c1986.
Main Stack PN1993.5.A7.B3761 1986

VIDEORECORDING
Black Mountain Revisited
Maryland Institute, College of Art; project director, Joe Cardarelli. [Baltimore, Md.]: Viridian Productions of the Maryland Institute, College of Art, c1990. 1 videocassette (54 min.); sd., col.; 1/2 in. VHS. Series title: Original Black Mountain series.
UCB Bancroft Motion Picture 812 D

Bloom, Peter J.
French colonial documentary : mythologies of humanitarianism / Peter J. Bloom. Minneapolis : University of Minnesota Press, c2008.
Main (Gardner) Stacks PN1995.9.D6 B59 2008

Boon, Tim.
Films of fact : a history of science in documentary films and television / Timothy Boon. London ; New York : Wallflower Press, 2008.
Main (Gardner) Stacks PN1995.9.D6 B66 2008

Brody, David
"The Social Documentary as History." Labor History; Summer83, Vol. 24 Issue 3, p394-397, 4p
UC users only

Brom, John L.
The Pitiless Jungle / by John L. Brom; translated by Oliver Coburn. London: Mayflower, 1955.
UCB Main PN1997.B7 B7

Bromley, Carl.
"While the Academy Slept; The strange career of the documentary Oscar." The Nation, April 2, 2001 v272 i13 p40

Brownlow, Kevin.
The War, the West, and the Wilderness / Kevin Brownlow. 1st ed. New York: Knopf; distributed by Random House, 1979, c1978.
UCB Main PN1993.5.U6 .B76 1979
UCB Moffitt PN1993.5.U6 .B76

Brunner, Edward.
"Ersatz Truths: Variations on the Faux Documentary." Postmodern Culture: An Electronic Journal of Interdisciplinary Criticism Postmodern Culture, Volume 8, Number 2, January 1998
UC users only

Bruzzi, Stella
New documentary: a critical introduction / Stella Bruzzi. London; New York: Routledge, 2006.
Table of contents http://www.loc.gov/catdir/toc/ecip069/2006006456.html
MAIN: PN1995.9.D6 B78 2006
MOFF: PN1995.9.D6 B78 2006
Main Stack PN1995.9.D6.B78 2000[earlier edition]
Moffitt PN1995.9.D6.B78 2000 [earlier edition]

Bryant, Marsha
Auden and Documentary in the 1930s / Marsha Bryant. Charlottesville: University Press of Virginia, 1997.
UCB Main PR6001.U4 Z625 1997

Bullert, B. J.
Public television; politics and the battle over documentary film / B.J. Bullert. New Brunswick, N.J.; Rutgers University press, c1997. Communications, media, and culture.
Electronic version (UC users only)
Main Stack HE8700.79.U6.B85 1997

Candid eyes: essays on Canadian documentaries
Edited by Jim Leach and Jeannette Sloniowski. Toronto; Buffalo: University of Toronto Press, c2003.
Main Stack PN1995.9.D6 C362 2003

Carroll, Noel.
"Nonfiction Film and Postmodernist Skepticism." In: Post-Theory: Reconstructing Film Studies. Edited by David Bordwell and Noel Carroll. pp: 283-306. Madison: University of Wisconsin Press, c1996. Wisconsin studies in film
Main Stack PN1994.P6565 1996

Casebier, Allan.
"Idealist and Realist Theories of the Documentary." Post Script: Essays in Film and the Humanities 6.1 (Fall 1986): 66-75.

Chanan, Michael.
"The documentary in the Revolution." In: Cuban cinema / Michael Chanan. Minneapolis: University of Minnesota Press, c2004.
Main Stack PN1993.5.C8.C48 2004
PFA PN1993.5.C8.C45 2004

Chris, Cynthia
Watching wildlife Minneapolis: University of Minnesota Press, c2006.
MAIN: PN1995.9.A5 C47 2006; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip063/2005033456.html

Chu, Yingchi.
Chinese documentaries: from dogma to polyphony London; New York: Routledge, 2007.
MAIN: PN1995.9.D6 C48 2007; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip075/2006039265.html

Cinematographic Theory and New Dimensions in Ethnographic Film
Edited by Paul Hockings and Yasuhiro Omori. Osaka; National Museum of Ethnology, 1988. Series title: Senri ethnological studies no. 24.
UCB Anthropol GN347 .C56 1988

Collecting visible evidence
Jane M. Gaines and Michael Renov, editors. Minneapolis: University of Minnesota Press, c1999. Visible evidence; v. 6
Papers from three annual conferences held beginning in 1993.
Main Stack PN1995.9.D6.C535 1999

Cooper, Sarah
Selfless cinema?: ethics and French documentary Oxford: Legenda, 2006.
MAIN: PN1995.9.D6 C66 2006

Corless, K.
"Documentaries: Thinking outside the box." [Includes an interview with Nick Broomfield]. Sight & Sound v. ns17 no. 1 (January 2007) p. 30-1
UC users only
"Part of a special section on contemporary British cinema. The longstanding and close-knit relationship between British television and documentaries has been both a blessing and a curse. Although the likes of Cutting Edge and True Stories on Channel 4 and the BBC's Modern Times have served as breeding-grounds for exciting, experimental documentary-makers, the ten commissioning outlets in Britain have recently shrunk to around two. Furthermore, although More4 originally promised a space for idiosyncratic authored documentaries, the commitment to broadcasting British work seems to have waned, and Channel 4's British Documentary Film Foundation, which was set up to make development funds available, has been criticised as being financially inadequate. However, new modes of distribution--a growing number of festivals dedicated to documentary film, and the affordability of digital technologies--should encourage a more adventurous aesthetic in the field of documentary filmmaking." [Art Index]

Corner, John
The art of record: a critical introduction to documentary / John Corner. Manchester; New York: Manchester University Press; New York, NY, USA: Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Main Stack PN1995.9.D6.C57 1996

Corner, John.
"Documenting the political: some issues." Studies in Documentary Film; 2009, Vol. 3 Issue 2, p113-129, 17p
UC users only

Corner, John.
"'Documentary' in Dispute." International Journal of Cultural Studies 4.3 (September 2001): 352-59.

Corless, Kieron
"Documentaries: Thinking outside the box" (Includes an interview with Nick Broomfield)Sight & Sound v. ns17 no. 1 (January 2007) p. 30-1
UC users only
"Part of a special section on contemporary British cinema. The longstanding and close-knit relationship between British television and documentaries has been both a blessing and a curse. Although the likes of Cutting Edge and True Stories on Channel 4 and the BBC's Modern Times have served as breeding-grounds for exciting, experimental documentary-makers, the ten commissioning outlets in Britain have recently shrunk to around two. Furthermore, although More4 originally promised a space for idiosyncratic authored documentaries, the commitment to broadcasting British work seems to have waned, and Channel 4's British Documentary Film Foundation, which was set up to make development funds available, has been criticised as being financially inadequate. However, new modes of distribution--a growing number of festivals dedicated to documentary film, and the affordability of digital technologies--should encourage a more adventurous aesthetic in the field of documentary filmmaking." [Art Index]

Cunningham, Megan.
The art of the documentary: ten conversations with leading directors, cinematographers, editors, and producers Berkeley, CA: New Riders, 2005.
MAIN: PN1995.9.D6 C75 2005

Curtin, Michael.
Redeeming the Wasteland: Television Documentary and Cold War Politics. New Brunswick, New Jersey: Rutgers University Press, 1995.
Main Stack PN1992.8.D6.C87 1995
Moffitt PN1992.8.D6.C87 1995

Cussler, Margaret.
Not By a Long Shot; Adventures of a Documentary Film Producer. New York, Exposition Press [1951].
UCB Main PN1995.9.D6 C8
NRLF $B 120 656 Type EXP NRLF for loan details.

Cvetkovich, Ann
"In the Archives of Lesbian Feeling: Documentary and Popular Culture." Camera Obscura - Volume 17, Number 1, 2002 - Article
UC users only

Davidson, David.
"Depression America and the Rise of the Social Documentary Film." Chicago Review 34.1 (Summer 1983): 69-88.

A directory of Indian documentary
Compiled & edited by Sanjit Narwekar.Mumbai: Mumbai International Film Festival for Documentary, Short & Animation Films, 1998.
MAIN: PN1995.9.D6 D5 1998;

Docu-scene, India
Edited by Opender Chanana. Bombay: Indian Documentary Producers' Association: Films Division, [1987].
UCB Main PN1995.9.D6 D531 1987

Documentary and the Mass Media
Editor, John Corner. London; Baltimore, Md., U.S.A.: E. Arnold, 1986. Series title: Stratford-upon-Avon studies. Second series.
UCB Main P90 .D621 1986

The Documentary Conscience: A Casebook in Film Making
Alan Rosenthal. Berkeley: University of California Press, c1980.
UCB Main PN1995.9.D6 .D55
UCB Moffitt PN1995.9.D6 .D55

Documentary film classics produced by the United States government
Washington : National Audiovisual Center, [1979?]
Main (Gardner) Stacks PN1995.9.D6 .D6

Documentary film--the age gone, an age to come? : records of Documentary Film Symposium held on May 3-9, 1997 in Jurmala, Latvia
Edited by Andrejs Apsitis ; translation into English, Yelena Doroshenko ; into Russian, Anna Apsite]. Riga : European Documentary Film Symposiums, 1999.
Main (Gardner) Stacks PN1995.9.D6 D63 1997

"Documentary Now." Velvet Light Trap, vol. 60, pp. 1-90, Fall 2007
UC users only

"Documentary, the digital age's first casualty" In: Cinema futures: Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann. Amsterdam: Amsterdam University Press, c1998.
Main Stack PN1994.C5214 1998

Docufictions: essays on the intersection of documentary and fictional filmmaking.
Edited by Gary D. Rhodes and John Parris Springer. Jefferson, N.C.: McFarland & Co., c2006.
MAIN: PN1995.9.D62 D63 2006
Moffitt PN1995.9.D62.D63 2006
PFA PN1995.9.D62.D63 2006
Table of contents http://www.loc.gov/catdir/toc/ecip0512/2005012767.html

"Documentary." In: The television genre book / edited by Glen Creeber ; associate editors, Toby Miller and John Tulloch. Houndmills, Basingstoke, Hampshire ; New York, NY : Palgrave Macmillan on behalf of the British Film Institute, 2008.
Main (Gardner) Stacks PN1992.55 .T45 2008

The Documentary Film Movement: An Anthology
Edited and introduced by Ian Aitken. Edinburgh: Edinburgh University Press, c1998.
Main Stack PN1995.9.D6.D56 1998

Documenting the Documentary: Close Readings of Documentary Film and Video / Wayne State University Press, c1998.
Main Stack PN1995.9.D6D58 1998
Moffitt PN1995.9.D6D58 1998

Dornfeld, Barry
"Putting American public television documentary in its places." In: Media worlds [electronic resource]: anthropology on new terrain / edited by Faye D. Ginsburg, Lila Abu-Lughod, and Brian Larkin. Berkeley: University of California Press, c2002
Full-text of this book available (eScholarship. Restricted to UC campuses)

Dorst, John D.
"Which Came First, the Chicken Device of the Textual Egg? Documentary Film and the Limits of the Hybrid Metaphor." Journal of American Folklore. 112.445 (Summer 1999): 268-81.
"Though hybridity is certainly a productive theoretical metaphor, there are limits to its usefulness. In our postmodern, "telectronic" culture, we are surrounded by examples of boundary confusion between text-generating devices and texts themselves. The organic metaphor of hybridity is of limited value in theorizing these conflations. This article considers examples of such collapse between text and "apparatus" in the documentary films of Errol Morris, particularly his 'folklife" portrait of a small town in Florida." [Expanded Academic Index]

Double take: looking at the documentary
Edited by Raqs Media Collective. [New Delhi]: Foundation for Universal Responsibility of His Holiness the Dalai Lama in association with the Public Service Broadcasting Trust, 2000.
Main Stack PN1995.9.D6.D64 2000
India's quest: the films: an experiment / Rajiv Mehrotra -- Playing with flux - constructing an argument in documentary films / Sanjay Kak -- "Can you cut it down?": commissioning conversations / Ruchir Joshi -- A frame of mind - researching documentaries / Raqs Media Collective -- The other eye - on documentary cinematography / Ranjan Palit -- Listening to sound / Samina Mishra -- Sync-sound - technology, aesthetics & problems / Indrajit Neogi -- "And sound tracks merely happen ...": metaphors, mixers & microphones / Uma Shankar -- "Scrambling with many things to say...": notes from the editing room / Sameera Jain -- Snakes & butterflies: the natural history of the rough-cut / Ruchir Joshi -- documentary.doc / Anita Roy -- On watching documentaries / Mukul Kesavan -- Talking to the audience / Rajeev Bhargava -- The hum of conversations / Shuddhabrata Sengupta. Collection of essays on the thoughts and reflections of filmmakers, technicians etc.

Dovey, Jon.
Freakshow: First Person Media and Factual Television. Sterling, Virginia: Pluto Press, 2000
Full text available online (UCB users only)
Main Stack PN1992.8.R43.D68 2000

Druick, Zoë.
Projecting Canada: government policy and documentary film at the National Film Board of Canada Montreal; Ithaca: McGill-Queen's University Press, c2007.
MAIN: PN1993.5.C2 D78 2007

Druick, Zoë.
""Reaching the multimillions" : liberal internationalism and the establishment of documentary film." In: Inventing film studies / Lee Grieveson and Haidee Wasson, editors. Durham : Duke University Press, 2008.
Main (Gardner) Stacks PN1993.8.U5 G75 2008

Dunne, Philip
"The Documentary and Hollywood." Hollywood Quarterly, Vol. 1, No. 2 (Jan., 1946), pp. 166-172
UC users only

Eitzen, Dirk.
"When Is a Documentary? Documentary as a Mode of Reception." Cinema Journal, vol. 35 no. 1. 1995 Fall. pp: 81-102.
UCB users only

Ellis, Jack C.
"American documentary in the 1950s." In: Transforming the screen, 1950-1959 / Peter Lev. New York: Charles Scribner's Sons, 2003.
Main Stack PN1993.5.U6.H55 1990 v.7

Ellis, Jack C.
The Documentary Idea: A Critical History of English-language Documentary Film and Video / Jack C. Ellis. Englewood Cliffs, N.J.; Prentice Hall, c1989.
UCB Moffitt PN1995.9.D6 E45 1989

Ellis, Jack C.
A new history of documentary film New York: Continuum, c2005.
MOFF: PN1995.9.D6 E46 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0512/2005013290.html

Encyclopedia of the documentary film
Ian Aitken, editor.New York: Routledge, 2006.
Media Center: PN1995.9.D6 E53 2006
MAIN: PN1995.9.D6 E53 2006

Ethnographic Film Aesthetics and Narrative Traditions: Proceedings from NAFA 2
Edited by Peter Ian Crawford and Jan Ketil Simonsen. Aarhus [Denmark]: Intervention Press in association with the Nordic Anthropological Film Association, 1992.
UCB Anthropol GN347 .E84 1992

Film and Propaganda in America: A Documentary History
Editor-in-chief, David Culbert. New York; Greenwood Press, 1990-1991. Series title: Documentary reference collections.
UCB Main PN1993.5.U6 F47 1990 v.1-4 (1990-1991)

Feldman, Allen.
"Faux Documentary and the Memory of Realism." American Anthropologist v100, n2 (June, 1998):494 (9 pages).
UC users only

Film and the First World War
Edited by Karel Dibbets, Bert Hogenkamp. Amsterdam; Amsterdam University Press, c1995. Series title: Film culture in transition.
NRLF B 4 090 175 Type EXP NRLF for loan details.

Film and the Historian.
London, British Universities' Film Council, 1968.
NRLF D16.255.A8F5 off campus

Film Council of America.
Sixty Years of 16mm Film, 1923-1983: A Symposium. Editorial board: Forrest Alter [and others. Evanston, Ill., 1954]. Series title: Film counselor series, no.1.
UCB Main LB1044.A2 F45 no.1

Fitzsimmons, Stephen J.; Hobart G. Osburn
"The Impact of Social Issues and Public Affairs Television Documentaries." The Public Opinion Quarterly, Vol. 32, No. 3. (Autumn, 1968), pp. 379-397.
UC users only
What are the various effects of television news documentaries on the knowledge level of the viewer; his attitudes and attitude dimensions; and his potential for changing certain behaviors? To answer such questions, the changes that occurred following exposure to television documentaries dealing with five separate topics were examined and compared. Particular attention was paid to effects that occurred irrespective of topic; the role of initial position in mediating change; and the interrelationship among changes. The personality variables of "open-mindedness" and "intelligence" were also examined.

Fraser, Nick
"In Praise of Documentaries." Critical Quarterly, vol. 43, no. 3, pp. 57-64, Fall 2001 UC users only

From Grierson to the docu-soap: breaking the boundaries
Edited by John Izod and Richard Kilborn with Matthew Hibberd. Luton, Bedfordshire, UK: University of Luton Press, c2000.
Main Stack PN1995.9.D6.F76 2000

Funari, Vicky; Taylor, Jennifer Maytorena.
"Close-knit Community: Documakers Find Strength in Shared Indie Vision, Battle." (the San Francisco documentary filmmaker community from two filmmakers' point of view)(Showbiz City: San Francisco) Variety v371, n10 (July 20, 1998):34.

Garrett, Greg
"It's everybody's war: racism and the World War Two documentary." Journal of Popular Film and Television, Summer 1994 v22 n2 p70(9)
UC users only
"American propaganda during World War II focused on defining the principles of democracy, emphasizing that the war was one every American should support, regardless of race or color. However, the armed forces during that conflict were still segregated, a fact that is not lost in most of the documentary films of the time. Although the main message in these films were that 'it is everybody's war,' the undertone taken always reflected the superiority of white America." [Expanded Academic Index]

Geiger, Jeffrey
"Fiction, Truth, and the Documentary Contract." In: Film analysis : a Norton reader / edited by Jeffrey Geiger and R.L. Rutsky. New York : W.W. Norton, c2005.
Moffitt PN1994 .F43814 2005

Girgus, Sam B.
America on film: modernism, documentary, and a changing America Cambridge; New York: Cambridge University Press, 2002.
MAIN: PN1995.9.U64 G57 2002

Godmilow, Jill and Shapiro, Ann-Louise
"How Real is the Reality in Documentary Film?
also in:
Producing the past: making histories inside and outside the academy / edited by Ann-Louise Shapiro. Middletown, Conn.]: Wesleyan University, c1997.
Main Stack D6.H655.B4 v.36

Goldsmith, David A.
The documentary makers: interviews with 15 of the best in the business Crans-Pr`es-Celigny: Hove: RotoVision, 2003.
MAIN: PN1995.9.D6 G65 2003

Graham, Peter
"Cinema-Verite" in France." Film Quarterly, Vol. 17, No. 4. (Summer, 1964), pp. 30-36.
UC users only

Grenville, J. A. S. (John Ashley Soames)
Film as History: the Nature of Film Evidence, an inaugural lecture delivered in the University of Birmingham on 5th March 1970, by J. A. S. Grenville. [Birmingham, Eng., University of Birmingham, 1971].
UCB Main D16 .G81

Grierson, John
Grierson on Documentary Revised ed. London, Faber, 1966.
Moffitt PN1995.9.D6.G75 1966
Main Stack PN1995.9.D6.G751 1947 (another edition)

Griffiths, Alison
Wondrous difference: cinema, anthropology & turn-of-the-century visual culture New York: Columbia University Press, c2002.
ANTH: GN347 .G73 2002
PFA: PN1995.9.E8 G74 2002

Grindon, Leger 1949-
"Q & A: Poetics of the Documentary Film Interview." The Velvet Light Trap - Number 59, Fall 2008, pp. 4-12
UC users only

Guynn, William Howard.
A Cinema of Nonfiction / William Guynn. Rutherford: Fairleigh Dickinson University Press; London; Cranbury, NJ; Associated University Presses, c1990.
UCB Main PN1995.9.D6 G89 1989
UCB Moffitt PN1995.9.D6 G89 1989

Hampe, Barry.
Making Documentary Films and Reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real Events / Barry Hampe. 1st ed. New York: Henry Holt and Company, 1997.
UCB Moffitt PN1995.9.D6 H26 1997

Hankin, Kelly.
"And Introducing. . . The Female Director: Documentaries about Women Filmmakers as Feminist Activism." NWSA Journal - Volume 19, Number 1, Spring 2007, pp. 59-88
UC users only
"Statistical and anecdotal evidence suggest that, in both the Hollywood and commercial independent film industries, female directors are not given the same support and opportunities as their male counterparts. As a result, there are a number of activist projects and organizations working to challenge and raise awareness about this inequity. This essay examines the role a new genre of documentary plays in this larger activist endeavor. Beginning in the 1990s, several documentaries emerged featuring women filmmakers of varying national, racial, and sexual identities who work in a range of film production practices. I argue that by privileging the voices and experiences of these diverse female directors--something our own feminist film scholarship tends not to do--these documentaries function as important activist texts in women's studies and media studies classrooms. Because most undergraduates are woefully ignorant about the films of female directors, let alone the avenues to and barriers against filmmaking that exist for women, these documentaries play a crucial activist role in raising awareness about the social and cultural forces shaping women directors and their films. Moreover, by modeling a spectrum of "do- it-yourself" possibilities, these documentaries encourage female students to imagine their own potential as filmmakers." [Project Muse]

Heider, Karl G.
Ethnographic Film / by Karl G. Heider. Austin: University of Texas Press, c1976.
UCB Anthropol GN347 .H441 *c2 copies
UCB Moffitt GN347 .H441

Heider, Karl G.
Seeing Anthropology: Cultural Anthropology Through Film / Karl G. Heider Boston, MA: Allyn and Bacon, c1997.
UCB Anthropol GN347 .H46 1997

Henson, Pamela M.; Terri A. Schorzman
"Videohistory: Focusing on the American Past." The Journal of American History Vol. 78, No. 2 (Sep., 1991), pp. 618-627
UC users only

Heusch, Luc de.
The Cinema and Social Science; A Survey of Ethnographic and Sociological Films. [Paris] UNESCO [1962]. Series title: Reports and papers in the social sciences; no. 16.
UCB Main PN1995.9.D6 H4
NRLF $C 30 894

Heyman, Neil M.
Western Civilization: A Critical Guide to Documentary Films / Neil M. Heyman. Westport, Conn.: Greenwood Press, 1996.
UCB Main CB245 .H45 1996

Higgins, Lynn A.
"Documentary in an Age of Terror." South Central Review - Volume 22, Number 2, Summer 2005, pp. 20-38
UC users only
"Noting that "blockbuster documentary" is no longer an oxymoron, the essay investigates the recent renaissance of documentary genres in the light of the post-9/11 American political and cultural climate. It suggests that the recent appetite for documentaries might arise from anxieties about access to reliable information about the real. In a context where more and more information is "classified," officially and unofficially commodified, or subjected to outright falsification, and where the technologies for image-manipulation are increasingly sophisticated, the filmmakers and other image-makers studied here use various rhetorical, generic, and narrative strategies to resist the replacement of reality by images. The emergence of the "making of" subgenre suggests that all images can now credibly depict is insight into how mediation works. Examples include Morgan Spurlock's Supersize Me, Iranian filmmaker Samira Makhmalbaf's contribution to the collection of short films entitled 11-9-01: September 11, Michael Moore's Fahrenheit 9/11, Art Spiegelman's In the Shadow of No Towers, Terry Gilliam's Lost in La Mancha, and Wolfgang Becker's Good Bye Lenin!." [Project Muse]

Hogan, Kathleen
""Reaping the Golden Harvest: Pare Lorentz, Poet and Filmmaker."
This website offers a beginning point for the digital preservation and presentation of these revolutionary 1930s documentary films. Focuses on The Worker's Film and Photo League and Frontier Films.

Hogarth, David
Realer than reel: global directions in documentary Austin: University of Texas Press, 2006.
MAIN: PN1995.9.D6 H56 2006; MOFF: PN1995.9.D6 H56 2006
Table of contents http://www.loc.gov/catdir/toc/ecip0511/2005011657.html

Hogue, Peter
"Genre-busting: documentaries as movies." Film Comment, July-August 1996 v32 n4 p56(5)
UC users only
Documentary filmmaking has taken on a new style of storytelling that is usually more associated with dramatic films. Recent examples of these new types of documentaries can be seen in the narrative structures and characterization of the films 'Hoop Dreams' and 'Crumb.'

"How Real is the Reality in Documentary Film?" (Jill Godmilow, in Conversation with Ann-Lousie Shapiro)(Interview) History and Theory v36, n4 (Dec, 1997):80 (22 pages).

Hubbert, Julie
""Whatever Happened to Great Movie Music?": Cinéma Vérité and Hollywood Film Music of the Early 1970s American Music, Vol. 21, No. 2 (Summer, 2003), pp. 180-213
UC users only

Huffman, Nicole
"New Frontiers in American Documentary Film."
This website offers a beginning point for the digital preservation and presentation of these revolutionary 1930s documentary films. Focuses on The Worker's Film and Photo League.

Huggan, Graham
"Australia, America, and the changing face of nature documentary." In: Imagining Australia: literature and culture in the new new world / edited by Judith Ryan and Chris Wallace-Crabbe. Cambridge, Mass.; London: Harvard University Press: 2004.
Main Stack PR9609.6.I43 2004

Image as Artifact: The Historical Analysis of Film and Television
John E. O'Connor, editor. Malabar, Fla.: R.E. Krieger Pub. Co., 1990.
UCB Main D16.18 .I45 1990

Imagining reality: the Faber book of documentary. Rev. ed. London: Faber and Faber, 2006.
MAIN: PN1995.9.D6 I43 2006

Introduction to documentary production
[edited by Searle Kochberg]. London: Wallflower, 2002.
PFA PN1995.9.D6.I68 2002

Isenberg, Michael T.
War on Film: The American Cinema and World War I, 1914-1941 / Michael T. Isenberg. Rutherford: Fairleigh Dickinson University Press, c1981.
UCB Main D522.23 .I8

Jacobs, Lewis.
The Documentary Tradition / selected arranged, and introduced by Lewis Jacobs. 2d ed. New York: W. W. Norton, c1979.
UCB Main PN1995.9.D6 .J3 1979
UCB Moffitt PN1995.9.D6 .J3 1979 *c3 copies

Jacobs, Lewis.
The Documentary Tradition, from Nanook to Woodstock. New York, Hopkinson and Blake [1971].
UCB Moffitt PN1995.9.D6 J3
NRLF B 3 567 661 Type EXP NRLF for loan details.

Jag Mohan.
Documentary Films and National Awakening / Jag Mohan. New Delhi; Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1990.
UCB Main PN1995.9.D6 J34 1990

The Japan/America Film Wars: World War II Propaganda and its Cultural Contexts
Edited by Abe Mark Nornes and Fukushima Yukio. Chur, Switzerland; Langhorne, Pa., USA: Harwood Academic Publishers, c1994. Series title: Studies in film and video v. 1.
UCB Main D743.23 .J36 1994

Jump Cut: Hollywood, Politics, and Counter Cinema
Edited by Peter Steven. New York, NY: Praeger, 1985.
UCB Main PN1995.9.E96 J81 1985
UCB Moffitt PN1995.9.E96 J8 1985

Kahana, Jonathan
Intelligence work : the politics of American documentary / Jonathan Kahana. New York : Columbia University Press, c2008.
Main (Gardner) Stacks PN1995.9.D6 K25 2008

DISSERTATION
Kahn, Lorraine.
Cinematic Collaborations: Production System and Film Structure in Documentary / by Lorraine Kahn. c1990.
NRLF PN1995.9.D6K34 1990 off campus

Katz, Robert; Katz, Nancy
"Documentary in Transition, Part I: The United States." Hollywood Quarterly, Vol. 3, No. 4. (Summer, 1948), pp. 425-433.
UC users only

Kepley, Vance; Swender, Rebecca
"Claiming the Found: Archive Footage and Documentary Practice." The Velvet Light Trap Number 64, Fall 2009
UC users only

King, Margaret J.
"The Audience in the Wilderness: The Disney Nature Films." Journal of Popular Film and Television, vol. 24 no. 2. 1996 Summer. pp: 60-68.

Klein, Walter J.
The Sponsored Film / by Walter J. Klein. New York; Hastings House, c1976.Series title: Communication arts books.
UCB Bus&Econ HF5844 .K541 1976 WITHDRAWN

Kline, Mary-Jo.
A guide to documentary editing Baltimore: Johns Hopkins University Press, c1987.
MAIN: Z113.3 .K551 1987; Storage Info: B 4 033 478

LaMarre, Heather L.; ; Landreville, Kristen D.
"When is Fiction as Good as Fact? Comparing the Influence of Documentary and Historical Reenactment Films on Engagement, Affect, Issue Interest, and Learning. Mass Communication & Society, Oct-Dec2009, Vol. 12 Issue 4, p537-555, 19p
UC users only

Landesman, Ohad
"In and out of This World: Digital Video and the Aesthetics of Realism in the New Hybrid Documentary." Studies in Documentary Film, vol. 2, no. 1, pp. 33-45, 2008
UC users only

Lane, Jim
The autobiographical documentary in America Madison: University of Wisconsin Press, c2002.
UCB MAIN: CT25 .L27 2002

Lane, Jim.
"Notes on Theory and the Autobiographical Documentary Film in America." Wide Angle, 15(3), 21-36.(1993)

Langer, Mark
"Non-Fiction Film." Film History, Vol. 9, No. 2, Non-Fiction Film (1997), p. 131
UC users only

Lay, Samantha.
British social realism: from documentary to Brit-grit London: Wallflower, 2002.
UCB MAIN: PN1995.9.D6 L39 2002

Lesage, Julia (ed. and introd.)
"New Worlds of Documentary." Jump Cut: A Review of Contemporary Media, vol. 48, pp. (no pagination), Winter 2006
UC users only

Leuthold, Steven.
"Native American Documentary: An Emerging Genre?" Film Criticism v22, n1 (Fall, 1997):74 (16 pages).
UC users only
Documentary films made by and/or about Native Americans are beginning to form the symbolic and situational precedents for genre. Development of Native American documentaries is too recent to produce regional styles, but many such films are linked by their common considerations of cultural preservation, the relationships of Native Americans to Western institutions, and how one generation maintains continuity with another.

Leuthold, Steven.
Indigenous Aesthetics: Native Art, Media, and Identity / / by Steven Leuthold. 1st ed. Austin: University of Texas Press, 1998.
Main Stack E59.A32 L48 1998

Leuthold, Steven.
"Native Media's Communities." (Native Americans) American Indian Culture and Research Journal v21, n2 (Spring, 1997):165 (31 pages).
Native Americans have become increasingly aware of the potential uses of visual media technologies in depicting their culture. They, however, continue to be suspicious of whites' depiction of their community life as the latter tend to misunderstand the social features they deemed important and produce stereotypes incompatible with the Indians' self perceptions. Alternatively, the natives have started to produce their own video documentaries in which the depictions of their culture and beliefs are totally in their control.

Leuthold, Steven.
"Rhetorical Dimensions of Native American Documentary." Wicazo Sa Review - Volume 16, Number 2, Fall 2001, pp. 55-73 -
UC users only

Levasseur, Audrey
"Film and Video Self-Biographies." Biography: An Interdisciplinary Quarterly, 2000 Winter, 23:1, 176-92.
UC users only

Levin, G. Roy.
Documentary Explorations; 15 Interviews with Film-makers [by] G. Roy Levin. [1st ed.]. Garden City, N.Y., Doubleday, 1971.
UCB Moffitt PN1995.9.D6 L47

Leyda, Jay
Films Beget Films. [1st American ed.]. New York, Hill and Wang [1964].
UCB Moffitt PN1996 .L45 1964

Leyda, JayFilms Beget Films / Jay Leyda. London: Allen & Unwin, 1964.
UCB Main PN1996 .L45

Loizes, Peter
Innovation in Ethnographic Film: From Innocence to Self-consciousness, 1955-85 / Peter Loizos. Chicago; University of Chicago Press, 1993.
UCB Anthropol GN347 .L65 1993

Lopate, Phillip
"In Search of the Centaur: The Essay-Film." The Threepenny Review, No. 48 (Winter, 1992), pp. 19-22
UC users only

Lovell, Alan.
Studies in Documentary [by] Alan Lovell and Jim Hillier. New York, Viking Press [1972]. Series title: Cinema one, 21.
UCB Moffitt PN1995.9.D6 L61

Lovell, Alan.
Studies in Documentary [by] Alan Lovell and Jim Hillier. London, Secker and Warburg [for] the British Film Institute, 1972. Series title: Cinema one, 21.

Low, Rachael.
Documentary and Educational Films of the 1930's / by Rachael Low. London: G. Allen & Unwin; New York: distributed by R. R. Bowker, 1979. Series title: Low, Rachael The history of the British film.
UCB Main PN1993.5.G7 .L6 v.5:2

MacCann, Richard Dyer.
The People's Films; A Political History of U.S. Government Motion Pictures. New York, Hastings House [1973]. Series title: Studies in public communication. Series title: Communication arts books.
UCB Main PN1995.9.D6 M31
UCB Moffitt PN1995.9.D6 M3

MacDonald, Myra
"Performing memory on television: documentary and the 1960s." Screen (London, England) v. 47 no. 3 (Autumn 2006) p. 327-45
"Focusing on recollections of the 1960s, the writer examines how the performance of memory on British television is inflected by televisual codes and conventions that act both to vivify but also to constrict "memory work." In line with television's greater interest in the everyday, she concentrates on its production of "cultural memory" of the 1960s, and in particular on the cultural negotiation through which various stories compete for a place in history. Investigating memories of the 1960s that come from television documentaries in the 1990s, she considers the performing of television memories in terms of narrational style, bodily expressiveness, physical location, and distance or proximity to the object of recollection. She then discusses how television documentary's use of commentary and editing practices, particularly when memories are interlaced with archive footage or images, either constrains or opens up the interrogative capacity of witnesses' memory work." [Art Index]

Making history: art and documentary in Britain from 1929 to now. London: Tate Publishing, 2006.
MAIN: N72.M6 M335 2006
Published on the occasion of the exhibition: Making history: art and documentary in Britain from 1929 to now, held at Tate Liverpool, 3 February-23 April 2006.

Mamber, Stephen
"Cinema-Vérité in America, Part I." Screen 1972 13: 79-108
UC users only

Mamber, Stephen
"Cinema-Vérité in America, Part II -- Direct Cinema and the Crisis Structure Screen 1972 13: 114-136;
UC users only

Marks, Dan.
"Ethnography and Ethnographic Film: From Flaherty to Asch and After." (visual ethnographers Robert Flaherty and Timothy Asch) American Anthropologist v97, n2 (June, 1995):339 (9 pages).
Visual ethnographers Robert Flaherty and Timothy Asch's ethnographic films reflected and helped develop the methodology and themes of ethnographic research. Films such as Flaherty's 'Nanook of the North' and Asch's 'The Ax Fight' presented new approaches in ethnographic film production and subject representation. Asch's film also prefigured other ethnographers' attempts to present explanations of social data and applying such interpretations to higher-order analytical problems.

Martin, Thibault
"From documentary to social sciences: how the issue of representing the other emerges." In: Screening culture: constructing image and identity / edited by Heather Norris Nicholson. Lanham, Md.: Lexington Books, c2003.
Main Stack PN1995.9.I49.S38 2003

McCullaugh, Jim.
"Documentaries' Time is Now." (commercial appeal of documentary films) Billboard v104, n37 (Sept 12, 1992):57 (2 pages).

McEnteer, James
Shooting the truth: the rise of American political documentaries Westport, Conn.: Praeger Publishers, c2006.
MAIN: PN1995.9.D6 M38 2006

Miller, Mitchell
"Frame up."Art Review (London, England) v. 3 no. 11 (November/December 2005) p. 58-9
"A new breed of experimental documentary makers is tearing the genre's conventions to shreds. An abiding theme of their experimental documentaries--a loose term that includes "found footage" films, media jamming, and abstract films--is the documentary itself, particularly the contradictions at the heart of what John Grierson called the "creative treatment of actuality." However, while new perspectives are being brought to the craft of documentary, such experimentation continues to be contentious when it confronts our expectations over how a good documentary should be made. A number of recent experimental documentaries are discussed here, including Werner Herzog's Grizzly Man and Pirjo Honkasalo's The 3 Rooms of Melancholia." [Art Index]

Mining the home movie : excavations in histories and memories
Edited by Karen L. Ishizuka and Patricia R. Zimmermann. Berkeley : University of California Press, c2008.
PFA PN1995.8.M56 2008
Table of contents only http://www.loc.gov/catdir/toc/ecip073/2006035372.html

Mitman, Gregg
Reel Nature: America's Romance with Wildlife on Film. Cambridge, Massachusetts and London, England: Harvard University Press, 1999,
MAIN: PN1995.9.A5 M58 1999

Mould, David H. (David Harley)
American Newsfilm, 1914-1919: The Underexposed War / David H. Mould. New York; Garland Pub., 1983. Series title: Dissertations on film.
Moffitt D522.23 .M68 1983

Musser, Charles (ed. and introd.)
"Documentary before Verite." Film History: An International Journal, vol. 18, no. 4, pp. 355-439, 2006 UC users only

Narwekar, Sanjit
Films Division and the Indian Documentary / Sanjit Narwekar. New Delhi: Publications Division, Ministry of Information and Broadcasting, Govt. of India, 1992.
NRLF B 4 080 993 Type EXP NRLF for loan details.

New Challenges for Documentary 2nd ed.
Edited by Alan Rosenthal. Manchester, UK; New York: Manchester University Press; New York: Distributed in the USA by Palgrave, 2005.
Main Stack PN1995.9.D6.N377 2005
PFA PN1995.9.D6.N48 2005
Contents via Google Books">Contents via Google Books

New Challenges for Documentary
Edited by Alan Rosenthal. Berkeley; University of California Press, c1988.
UCB Main PN1995.9.D6 N3771 1988
UCB Moffitt PN1995.9.D6 N377 1988

Nichols, Bill.
Blurred Boundaries: Questions of Meaning in Contemporary Culture / Bill Nichols. Bloomington: Indiana University Press, c1994.
UCB Main PN1995.9.D6 N538 1994
UCB Moffitt PN1995.9.D6 N538 1994

Nichols, Bill.
"Documentary Film and the Modernist Avant-Garde." Critical Inquiry Vol. 27, No. 4 (Summer, 2001), pp. 580-610
UC users only

Nichols, Bill.
"Documentary reenactments : a paradoxical temporality that is not one shapes of modernity." In: Given world and time : temporalities in context / edited by Tyrus Miller. Budapest ; New York : CEU Press, 2008.
Main (Gardner) Stacks BD638 .G25 2008

Nichols, Bill.
"Documentary Reenactment and the Fantasmatic Subject." Critical Inquiry, vol. 35, no. 1, pp. 72-89, Autumn 2008
UC users only

Nichols, Bill.
"History, Myth, and Narrative in Documentary." Film Quarterly Vol. 41, No. 1 (Autumn, 1987), pp. 9-20
UC users only

Nichols, Bill.
Introduction to documentary Bloomington, Ind.: Indiana University Press, c2001.
MAIN: PN1995.9.D6 N539 2001
Contents via Google Books">Contents via Google Books

Nichols, Bill.
Representing Reality: Issues and Concepts in Documentary / Bill Nichols. Bloomington: Indiana University Press, c1991.
UCB Main PN1995.9.D6 N54 1991
UCB Moffitt PN1995.9.D6 N54 1991

Nichols, Bill.
"What Current Documentaries Do and Can't Do." The Velvet Light Trap - Number 59, Fall 2008, pp. 85-86
UC users only

Nisbet, Matthew C.; Aufderheide, Patricia.
"Documentary Film: Towards a Research Agenda on Forms, Functions, and Impacts." Mass Communication & Society, Oct-Dec2009, Vol. 12 Issue 4, p450-456, 7p
UC users only

Nonfiction Film: Theory and Criticism
Edited by Richard Meran Barsam. New York: Dutton, c1976.
UCB Main PN1995.9.D6 N571

Nonfiction Film: Theory and Criticism
Edited by Richard Meran Barsam. New York: Dutton, c1976.
UCB Main PN1995.9.D6 N571 1976a

Nornes, Markus.
Japanese documentary film: the Meiji era through Hiroshima. Minneapolis: University of Minnesota Press, c2003.
Main PN1995.9.D6 N59 2003

O'Brien, Harvey.
The real Ireland : the evolution of Ireland in documentary film / Harvey O'Brien. Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2004.
Main (Gardner) Stacks PN1993.5.I85 O27 2004

Okada, Jun
"The PBS and NAATA Connection: Comparing the Public Spheres of Asian American Film and Video." The Velvet Light Trap - Number 55, Spring 2005, pp. 39-51
UC users only

Orgeron, Marsha; Orgeron, Devin.
"Familial Pursuits, Editorial Acts: Documentaries after the Age of Home Video." The Velvet Light Trap - Number 59, Fall 2008, pp. 47-62
UC users only
"This article argues that the increased usage of home movies and home videos in contemporary documentary forces documentary theorists and critics to consider the ways such footage works to create narrative and depict history and memory. It presents a brief history of the shift from home movies to home video, arguing that home movies, which required planning for adequate light and more staging, were meant to capture the ideals of American family life and that home videos allow the family's decay and conflict to be captured. It argues that home videos often capture what was never meant to be recorded. The ethical question of what boundaries exist for the home videographer-turned-documentarian and for the documentarian assembling home video footage is addressed." [Ebsco]

Pallister, Janis L.
French-speaking women documentarians: a guide New York: P. Lang, c2005.
MAIN: PN1998.2 .P277 2005
Table of contents http://www.loc.gov/catdir/toc/ecip057/2005002302.html

Papazian, Elizabeth Astrid.
Manufacturing truth : the documentary moment in early Soviet culture DeKalb : Northern Illinois University Press, c2009.
MAIN: PG3026.S58 P37 2009

Picart, Caroline Joan (Kay), ed.
The Holocaust film sourcebook Westport, Conn.: Praeger, c2004.
v. 1. Fiction -- v. 2. Documentary and propaganda.
Media Center PN1995.9.H53.H66 2004

Pilgert, Henry P.
The History of the Development of Information Services Through Information Centers and Documentary Films. [Bonn?] Historical Division, Office of the Executive Secretary, Office of the U. S. High Commissioner for Germany, 1951.
NRLF B 4 135 913 Type EXP NRLF for loan details.

Pingree, Geoffrey B.
"Modern anxiety and documentary cinema in Republican Spain." In: Visualizing Spanish modernity / edited by Susan Larson and Eva Woods. Oxford; New York: Berg, 2005.
Main Stack DP203.5.V58 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0515/2005017026.html

Plantinga, Carl R.
"American documentary in the 1980s." In: A new pot of gold: Hollywood under the electronic rainbow, 1980-1989 / Stephen Prince. Berkeley: University of California Press, [c2002].
MAIN: PN1993.5.U6 H55 1990 v.10
Bus & Econ PN1993.5.U6.H55 1994 vol. 10

Plantinga, Carl R.
Rhetoric and Representation in Nonfiction Film / Carl R. Plantinga. Cambridge, U.K.; New York, N.Y.: Cambridge University Press, 1997. Series title: Cambridge studies in film.
UCB Main PN1995.9.D6 P56 1997

Plasketes, George M.
"Rock on reel: The rise and fall of the rock culture in America reflected in a decade of rockumentaries." Qualitative Sociology Volume 12, Number 1 March 1989, 55 - 71
UC users only
This article analyzes the filmic representation of the rise and demise of the American rock/youth culture of the 1960s through several popular ldquorockumentaries.rdquo This article explores the ways in which popular film and music both reflect and define political and cultural movements in advanced industrial societies by comparing and contrasting the plots and narrative techniques of films such as Monterey Pop (1968),Woodstock (1970),Gimme Shelter (1971) andThe Last Waltz (1978).

Politics and the Media: Film and Television for the Political Scientist and Historian
Edited by M. J. Clark. 1st ed. Oxford; New York: Published for the British Universities Film Council by Pergamon Press, 1979. Series title: Audio-visual media for education and research; v. 1.
UCB Main PN1995.9.D6 .P67 1979

Ponech, Trevor.
What is Non-fiction Cinema?: On the Very Idea of Motion Picture Communication. Westview Press, 1999.
Main Stack PN1995.9.D6P683 1999

Powell, Michael.
Edge of the World / Michael Powell. London; Boston: Faber and Faber, 1990.
UCB Main DA880.F87 P6 1990

Principles of Visual Anthropology
Edited by Paul Hockings. The Hague: Mouton, 1975. Series title: World anthropology.
UCB Anthropol GN27 .P75

Pullen, Christopher
Documenting gay men: identity and performance in reality television and documentary film Jefferson, N.C.: McFarland, c2007.
MAIN: HQ76.2.U5 P85 2007;
Table of contents http://www.loc.gov/catdir/toc/ecip075/2006038029.html

Rabiger, Michael.
Directing the Documentary / Michael Rabiger. Amsterdam; Boston: Focal Press, c2004.
PFA: PN1995.9.D6 R33 2004

Rabiger, Michael.
Directing the Documentary / Michael Rabiger. 2nd ed. Boston: Focal Press, c1992.
UCB Moffitt PN1995.9.D6 R33 1992

Rabiger, Michael.
"Documentary filmmakers decide how to present compelling evidence: using film to tell a story changes nearly everything." (Moving Pictures: Television and Film)." Nieman Reports 55.3 (Fall 2001): 63(2).

Rabinowitz, Paula.
They Must be Represented: The Politics of Documentary / Paula Rabinowitz. London; New York: Verso, 1994.
UCB Main PN1995.9.D6 R34 1994
Contents via Google Books

Rabinowitz, Paula
"Medium Uncool: women Shoot Back; Feminism, Film and 1968 -- A Curious Documentary." Science and Society. 65 (1): 72-98. 2001 Spring.

Rabinowitz, Paula
"Wreckage upon Wreckage: History, Documentary and the Ruins of Memory." History and Theory, Vol. 32, No. 2. (May, 1993), pp. 119-137.
UC users only
"Documentary cinema is intimately tied to historical memory. Not only does it seek to reconstruct historical narrative, but it often functions as an historical document itself. Moreover, the connection between the rhetoric of documentary film and historical truth pushes the documentary into overtly political alignments which influence its audience. This essay describes and dissects the history and rhetoric of documentary cinema, tracing its various modes of address from the earliest moments of cinematic representation through its uses for ethnographers, artists, governments, and marginal political organizations in the present. The different uses of documentary result in a wide variety of formal strategies to persuade the audience of a film's truth. These strategies are based on a desire to enlist the audience in the process of historical reconstruction. The documentary film differentiates itself from narrative cinema by claiming its status as a truth-telling mode. However, as a filmic construction, it relies on cinematic semiosis to convince its audience of its validity and truth. By looking at the history of documentary address, this essay outlines the rhetoric of persuasion and evaluates its effectiveness. The documentary calls upon its audience to participate in historical remembering by presenting an intimate view of reality. Through cinematic devices such as montage, voice-over, intertitles, and long takes, documentary provokes its audience to new understandings about social, economic, political, and cultural differences and struggles. The films actively engage with their world; however, often viewers respond to the same devices motivating classic Hollywood narratives. Thus the genre reinforces dominant patterns of vision. Recent challenges to the emotional manipulations of documentary deconstruct its forms and conventions so that the films interrogate not only historical memory but their own investment in its recreation. Imaginative documentaries, such as Claude Lanzmann's Shoah, foreground their partial and contingent qualities, pushing viewers to question cinematic representation and its place in historical memory. Moreover, they ask audiences to think about their place in the films' meanings as well as their responsibility to the past and its interpretations." [JSTOR]

Realism and 'reality' in film and media
Edited by Anne Jerslev. Copenhagen : Museum Tusculanum Press, University of Copenhagen, 2002.
Main (Gardner) Stacks PN1995.9.R3 R43 2002
Contents via Google books

Renov, Michael
The subject of documentary Minneapolis: University of Minnesota Press, c2004.
MAIN: PN1995.9.D6 R44 2004
PFA: PN1995.9.D6 R44 2004
Table of contents http://www.loc.gov/catdir/toc/ecip0412/2003028176.html

Resha, Dave; Minett, Mark; Michael, Charlie; Burnett, Colin.
"The Role of Documentary in the Contemporary American Political Scene." Velvet Light Trap: A Critical Journal of Film & Television, Fall2007, Issue 60, p79-90, 12p
UC users only
This article introduces a series of articles highlighting the insights of several luminaries in the field of documentary scholarship regarding the role of documentary in the contemporary American political scene. The scholars were also given the opportunity to comment on the attention the public and critics give to the political potential of documentary films. They include Michael Curtin, Jeanne Lynn Hall, Ben Levin, Randolph Lewis, Betsy McLane, Bill Nichols, Diane Waldman, Janet Walker and Jerry White.

Resina, Joan Ramon.
"Historical Discourse and the Propaganda Film: Reporting the Revolution in Barcelona." New Literary History v29, n1 (Wntr, 1998):67 (18 pages).

The rhetoric of the new political documentary
Edited by Thomas W. Benson and Brian J. Snee. Carbondale : Southern Illinois University Press, c2008.
Main (Gardner) Stacks PN1995.9.D6 R495 2008
Contents: New political documentary: rhetoric, propaganda, and the civic prospect / Thomas W. Benson and Brian J. Snee -- Virtual realism and the limits of commodified : dissent in Fahrenheit 9/11 / Shawn J. Parry-Giles and Trevor Parry-Giles -- Documentary dialectics or dogmatism? Fahrenhype 9/11, Celsius 41.11, and the new politics of documentary film /Jennifer L. Borda -- Vietnam flashbacks: dueling memories of dissent in the 2004 presidential election / Roger Stahl -- Theology, politics, and the evangelical base: George W. Bush: faith in the White House / Martin J. Medhurst -- Mimesis and miscarriage in Unprecedented / Robert E. Terrill -- Talking heads rock the house: Robert Greenwald's Uncovered: the war on Iraq / Susan Mackey-Kallis -- Outfoxing the myth of the liberal media / Ronald V. Bettig and Jeanne Lynn Hall.

Rich, B. Ruby.
"Documentary Disciplines: An Introduction." Cinema Journal - 46, Number 1, Fall 2006, pp. 108-115
UC users only

Richter, Robert.
"Long-form documentaries serve a vital journalistic role: today's complexities don't fit into tidy news magazine packages. (Moving Pictures: Television and Film)." Nieman Reports 55.3 (Fall 2001): 59(2).
UC users only

Roberts, Graham.
Forward Soviet!: History and Non-fiction Film in the USSR. I.B. Tauris; In the United States of America and in Canada distributed by St. Martin's Press, 1999.
Main Stack PN1995.9.D6R6 1999

"The Role of Documentary in the Contemporary American Political Scene." Velvet Light Trap, vol. 60, pp. 79-90, Fall 2007
UC users only

Rollins, Peter
"Ideology and Rhetoric: Three Films of the New Deal Era." In: Hollywood as historian: American film in a cultural context / edited by Peter C. Rollins. Lexington, Ky.: University Press of Kentucky, c1983.
Main Stack PN1995.9.H5.H64 1983
Moffitt PN1995.9.H5.H64 1983
PFA PN1995.9.H5.H64 1983

Rony, Fatimah Tobing.
The third eye: race, cinema, and ethnographic spectacle. Durham [N.C.]: Duke University Press, 1996.
ANTH: GN347 .R55 1996
MOFF: GN347 .R55 1996
ETHN: GN347 .R55 1996;

Rosenthal, Alan
The New Documentary in Action; A Casebook in Film Making. Berkeley, University of California Press, 1971.
UCB Main PN1995.9.D6 R66
UCB Moffitt PN1995.9.D6 R64 *c2 copies

Rosenthal, Alan
Writing, Directing, and Producing Documentary Films / Alan Rosenthal. Carbondale: Southern Illinois University Press, c1990.
UCB Main PN1995.9.D6 R65 1990
UCB Moffitt PN1995.9.D6 R65 1990
PFA: PN1995.9.D6 R64 1996 ref;

Rotha, Paul
Documentary Film [by] Paul Rotha. New York, W.W. Norton & Company, Inc. [1939].
NRLF $B 51 276

Rotha, Paul
Documentary Film; The Use of the Film Medium to Interpret cCreatively and in Social Terms The Life of the People as it Exists in Reality, by Paul Rotha in collaboration with Sinclair Road [and] Richard Griffith. [3d ed., rev. and enl.]. London, Faber and Faber [1952].
UCB Main PN1995.9.D6 R68 1952

Rothman, William.
Documentary Film Classics / William Rothman. Cambridge, Eng.; New York: Cambridge University Press, 1997. Series title: Cambridge studies in film.
UCB Main PN1995.9.D6 R69 1997

Rothman, William.
"Looking back and turning inward: American documentary films of the Seventies." In: Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979 / David A. Cook. Berkeley: University of California Press, 2002.
MAIN: PN1993.5.U6 H55 1990 v.9
PFA PN1993.5.U6.H6 1994 vol. 9

Rowe, John Carlos
"Eye-Witness: Documentary Styles in the American Representations of Vietnam." Cultural Critique, No. 3, American Representations of Vietnam. (Spring, 1986), pp. 126-150.
UC users only

Ruby, Jay.
"Speaking For, Speaking About, Speaking With, or Speaking Alongside: An Anthropological Documentary Dilemma. (reexamination of the social role of documentary filmmakers) Journal of Film and Video v44, n1&2 (Spring-Summer, 1992):42 (25 pages).

Russell, Catherine
Experimental Ethnography: The Work of Film in the Age of Video / Catherine Russell. Durham [N.C.]: Duke University Press, 1999.
Main Stack PN1995.9.D6.R79 1999

Schlachter, Christina Tangora
"The New Transformation of the Public Sphere: Discourse through Documentary." Journal of Corporate Citizenship; Winter2009, Issue 36, p87-97, 11p
UC users only

The Search for "Reality": The Art of Documentary Filmmaking
Edited by Michael Tobias. Studio City, CA; Michael Wiese Productions, c1998.
Main Stack PN1995.9.D6.S37 1998

Sherman, Sharon R.
Documenting Ourselves: Film, Video, and Culture / Sharon R. Sherman. Lexington, Ky.: University Press of Kentucky, c1998.
UCB Main PN1995.9.D6 S494 1998

Silberman, Marc
"Post-Wall Documentaries: New Images from a New Germany?" Cinema Journal, Vol. 33, No. 2. (Winter, 1994), pp. 22-41.
UC users only

Sklar, Robert.
"Documentaries: Money, Ethics, Audience, and 'Truth.'" Chronicle of Higher Education v43, n35 (May 9, 1997):B9.
Documentary films are one of the most interesting aspect of the modern cinema scene. The genre appears to be thriving despite dwindling public financing and ethical concerns about the manipulation and exploitation of documentary subjects in the past. Recent documentaries represent a return to the historical and journalistic subjects and approaches that comprise the genre's traditional roots. Documentary venues have also shifted from college and university screenings to television, especially public television and cable services, such as the Public Broadcasting Service and Home Box Office.

"Show Us Life": Toward a History and Aesthetics of the Committed Documentary
Edited by Thomas Waugh. Metuchen, N.J.: Scarecrow Press, 1984.
UCB Main PN1995.9.D6 S5 1984
UCB Moffitt PN1995.9.D6 S5 1984

Sklar, Robert.
"Documentary, propaganda, and politics." In: A world history of film New York: Harry N. Abrams, 2002.
Main Stack PN1993.5.A1.S555 2002

Sklar, Robert.
"The new documentary." In: A world history of film New York: Harry N. Abrams, 2002.
Main Stack PN1993.5.A1.S555 2002

Slide, Anthony.
Before Video: A History of the Non-theatrical Film / Anthony Slide. New York: Greenwood Press, 1992. Series title: Contributions to the study of mass media and communications no. 35.

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