Jazz Appreciation - Comparing Two Concerts
...Jazz Appreciation Aaron Wolf 12/1/10 The Comparison of Two Jazz Concerts Jazz Appreciation class presented me with the opportunity to attend two, unique jazz concerts that differentiated in various aspects. I had the pleasure of listening to The Jameson Sanagin Aaron Wolf Duo and The Cuesta Night Band one night after the other. The differences between these concerts could not have been greater and while I closely observed the performers, their music, the venue and the audience, I found few commonalities between the two. Each was very intriguing to listen to, and the large range of differences between the concerts made it easy and interesting to compare and contrast them. Upon my arrival at these concerts, my attention was instantly drawn to observing the venues and the audiences. I first went to listen to The Jameson Sanagin Aaron Wolf Duo perform at the Steynberg Gallery, which is a café that contains a small room displaying many beautiful art pieces on the walls. The concert took place in this room and had a very relaxed, intimate vibe because of the size of the venue and the audience (about thirty people). This aspect of the concert contrasted with The Cuesta Night band’s performance the following night, which took place at Cuesta’s large auditorium. This venue attracted about seventy people who created a louder atmosphere because of the applause, shouts and whistles from many individuals. The high......
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Concert Review 2
...Concert Review # 2 The second concert I attended conducted by Sidney Harth on February 21st was at the Carnegie Music Hall in Oakland and was actually my first time at the music hall because the first concert was cancelled and I am from the Buffalo, NY area. I can definitely say that it is one of the most beautiful buildings that I have ever seen in my life. As you walk up the stairs and begin through the large chambered doors you get the feeling an old castle were kings, queens and the royal family came to be entertained. The inside was just as fascinating as the outside it embodied a place in which no expense was spared and even gives you the subconscious feeling that you are too royalty. Furthermore on the concerts, I felt this particular concert represented music that I was not accustomed to and therefore was annoyed with at first. Yet as I began to open my mind a bit and realize that with every different note it reflected a different emotion that the original conductor was feeling, it made me curious of what else was about to come. Aaron Copland’s “Quiet City” was without a doubt my favorite piece played at this concert. It began with a quiet and slow noises of violins that made me envision a dark night when one is looking into the clearing. A dark tonight then transitions into an early morning battle or conflict as the trumpets begin to blare all throughout. Not just the title itself, but the style of the music makes me think of New York City and how......
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The Nutcracker: a Concert Review
...Concert Review: The Richmond Symphony Orchestra featuring The Richmond Ballet Amber Hisaw Regent University – Music 101 On the evening of Sunday, December 16, 2012, I had the pleasure of attending a concert I’d wanted to see for quite a while. I was delighted to attend Tchaikovsky’s The Nutcracker, performed by the Richmond Symphony Orchestra and the Richmond Ballet. The performance took place at Carpenter Theatre in Richmond Virginia. As I entered I felt a bit out of place. I’d never attended a performance quite like this one and I was a bit nervous. I took my seat to the left of the orchestra pit. I was thrilled to see how close I was. I had arranged for a seat near the orchestra so I could observe them as they played. The Richmond Symphony Orchestra The Richmond Symphony Orchestra was led by Mr. Steven Smith. Mr. Smith is in his second season at the Richmond Symphony Orchestra. Mr. Smith has appeared as a guest conductor in orchestras not only across the United States, but all over the world as well. Mr. Smith is also a composer and has won an ASCAP award. In 2008 he was named Ohio Composer of the Year (Music & Musicians, 2012). The orchestra for The Nutcracker consisted of two piccolos, three flutes, two oboes, an English horn, two clarinets, a bass clarinet, two bassoons, four horns, two trumpets, three trombones, a tuba, a timpani, a triangle, castanets, a tambourine, drums, cuckoo, quail, cymbals, bass drum tam-tam, glockenspiel, celesta, two harps,......
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...Lincoln Center for the Performing Arts in New York City held a free concert at Morse Hall. It was a Chamber Music Recital featuring chamber music students of Sylvia Rosenberg of the Juilliard School. Three pieces were performed, each played by different students. The first two pieces, Piano Trio No. 3 in C Minor and String Quartet No. 9 in C Major, Op. 59, No. 3 “Rosumovsky”, were composed by Ludwig Van Beethoven in 1795 and 1808, respectively. The performers of the first piece were Lisha Gu on the violin, Nan-Cheng Chen on the cello, and Han Chen on the piano. In the second piece, there were two violinists, Matous and Simon Michal, a violist, Matthew Sinno, and a cellist, Patrick Hopkins, who performed this piece. The third piece was the Piano Quintet in A Major, Op. 81, which was composed by Antonín Dvořák in 1887. This was performed by Charles Yang and Julia Choi on the violin, Jenni Seo on the viola, Jennifer Choi on the cello, and Jie Yuan on the piano. The concert was held in Morse hall, which was a small concert hall for small performances. This provided a comfortable experience for the audience and the performers. There were many different people in the audience but mostly comprised of elderly people. Most of the audience wore business casual for their attire. Before each piece was played, the piano was adjusted as well as the seats on stage. People were only allowed to come in or leave the concert hall between pieces. All the pieces were from the Classical or......
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Classical Music Concert Review
...Erin Jordan Mahler’s Symphony No. 5 The Pittsburgh Symphony Orchestra September 12, 2011 Berlin Philharmonie The Pittsburgh Symphony Orchestral performed Mahler’s Symphony No. 5 while touring in Europe and was conducted by Manfred Honeck. The program is Mahler: Symphony No. 5 in c-sharp minor with encores by Josef Strauss and Richard Strauss. I obtained the program from http://www.youtube.com. Watching and listening to a concert on a small computer screen with poor sound quality isn’t ideal but the feelings and emotions were still present. Prior to watching the concert I researched the composer Gustav Mahler. One important piece of musicians is their life history. I learned Gustav had a near death experience prior to composing Symphony No. 5. I believe his struggle with life and death was told in his work. Mahler’s Symphony No. 5 begins with a trumpet solo intro and is quickly joined by the bass drums portraying a sense of fear and suspense. The trumpet intro is by far the most memorable feature. The musical theme is a sense of darkness to light, sadness and despair to joyful and hopeful. Many parts also sound as if there is sorrow turned into violence. It is as if Mahler is fighting for something or someone. Quite possibly his own life or even the love of a female. There are frequent changes in tempo and dynamic with crescendo and decrescendo. The cadence of the orchestra allows for more suspense and the need to see what comes next in the story. Many......
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...I recently attended a concert entitled Masterpieces of the Guitar. The concert was performed by a solo artist named Robert Wetzel. The concert was presented by The Grossmont Guitar Guild, it was held at the Cuyamaca College of Performing Arts on October 29, 2012. This report will detail my experience and give an accurate, unbiased review of “Masterpieces of the Guitar.” Before the performance began I had the opportunity to sample the program and read through it thoroughly. The most important thing I learned from the program was information about the artist performing. I also learned about some of the music being performed. Pertaining to the artist performing his solo act, Robert Wetzel, he has a rich history in music. According to the program he began studying guitar at the young age of fifteen. He studied under master guitarist’s Angel Romero, Pepe Romero and Celedonio Romero. If you couldn’t already tell, all three of his masters were related and he considers himself part of this lineage. Today, he is a resident of San Diego, California. In addition to his performances with the guitar he also teaches music at San Diego State University, Grossmont College, Southwestern College and the University of California. I also learned, from the program about the songs I was about to hear performed by Wetzel. The artists listed include: Milan, Narvaez, Frescobaldi, Scarlatti,, Bach, Schumann, Debussy, Satie, Ravel, Moreno-Torroba, Tansman and Presti. I think this was important......
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...Concert Report For the Concert report I had the opportunity to attend and listen to the Houston Symphony Orchestra, on November 29th, at 8:00 PM. I arrived around 7:40 to Jones Hall in slacks and untucked shirt. As I began to sit down I looked around and saw people well dressed and I felt embarrassed. I went rushed to restroom and tucked my shirt in and made sure my hair looked perfect. One lesson I learned is attending an Orchestra recital is not like going to a concert for an artist. After coming back I sat down in my seat and began to read the program guide, and found out the conductor was Hans Graf and the pianist Ingrid Fliter. A few minutes before the start of the program a few artist came out and began to tune their instruments. I saw piccolo, a pair of flutes and bassoons that I recognized because of how we went over how they looked during class. A few minutes after 8 PM the conductor walked out, and then he talked about the program that was going to be played. He then got into his position and picked up his stick and began to conduct Mozart’s Piano Concerto No. 23 in A major. The music starts off slow and smooth as it felt like doves flying the sky in a Disney movie. About two minutes into the piece Ingrid Fliter begins to play her piano solo. While she was playing she looked so calm and poised. I tried to picture myself in the position and couldn’t stop laughing how horrible I would sound. Mozart’s Piano Concerto No. 23 had three movements Allegro,......
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...Concert Review Introduction to Music 2/1/2014 Park University Erin Rosario Name: Erin Rosario Course: Introduction to Music Date: February 1, 2014 Concert: Oakland East Bay Symphony Type of concert: Symphony orchestra General reaction: This was my first attendance at a symphony concert so I wasn’t certain what to expect. The Paramount Theatre in Oakland, CA held the three hour concert and set the mood for this event. The following pieces were played for the performance: Peter Ilyich Tchaikovsky’s Romeo and Juliet Fantasy Overture (1869), Dmitry Kabelevsky’s Cello Concerto No. 2 (1964) with David Requiro, cello, Conrad Susa’s The Blue Hour, and Edward Elgar’s Enigma Variations (1898-1899). The music conductor for this event was Michael Morgan, who began conducting at the age of twelve! The walls and ceiling were beautifully crafted with intricate details entwined with blue and gold colors. The theatre was also well constructed to amplify the sounds of the acoustics from the musical instruments. All of the musicians seemed very well prepared as they warmed up prior to the performance. Throughout the concert it was apparent from the attentiveness of the audience, whom you never heard a sound from, the importance and talent of this show. Throughout the performance the musicians put their emotions into each piece and displayed how much technicality is needed for every piece. I enjoyed when cellist, David Requiro was featured in the song by Dmitro Kabalevsky, Cello......
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...Bhavin Patel Professor Barr Wednesday 3:00 11/22/10 Concert Report I attended the Fall Jazz Band concert at Mt. Sac in the Sophia B. Clarke Theater. The show was on Friday November 19th, 2010 at 8:00 p.m. The concert first featured the Latin Jazz Ensemble of Mt. Sac. Followed by the Latin Jazz Ensemble was the Mt. Sac Jazz Ensemble 1. The concert was directed by Jeff Ellwood and Tim Curle. The first piece played by the Mt. Sac Jazz Ensemble was called “Intersecting Lines” which was composed by Les Hooper. After warming the audience up with that piece, they went on to play “True North” by Mike Dana. Next the Ensemble played “Let’s Face the Music and Dance,” by Irving Berlin. The last piece the Latin Jazz Ensemble played was “Too High,” composed by Stevie Wonder, which I thought was pretty interesting. After a short intermission the Mt.Sac Jazz Ensemble came out and started off with “Hot and Spicey,” by Jason Goldman. The second song they played was called “Count Me In” by Billy Byers. Next they played “D-Bop” played in D-Flat I believe, and it was said to be a difficult piece for the ensemble, but they still mastered it. After “D-Bop” the piece called “Truth” was played which featured a solo piece from a talented saxophone player. Then they played “And Another Thing,” which is composed by Tom Garling. The last piece played was called “Yes or No,” and this was composed by Wayne Shortner. Jazz music started towards the beginning of the 20th century. ...
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Jazz Concert Evaluation
...Local Live Jazz Music My recent trip to Schwartz Point Jazz Club in Cincinnati was something hard to believe I would enjoy. Not that I am not a musical person but mainly because jazz has never been a real focal point of my musical tastes. I never say that I have one specific style of music that I like my philosophy was “if it sounds good I will listen to it”. So when I went to a local jazz club to listen to the Ed Moss Trio and Orchestra, I had no clue what I was going into. When I first showed up at Schwartz Point the tapestries that hung on the walls gave a different feel to the room than anywhere else I had experienced. I feel that this gave a more focal point on the musicians and not your surroundings, which is a nice thing to subliminally bring the focus on the musicians. The company was small for there were not a whole lot of people when I chose to visit but there were enough visitors there to feel comfortable of being an outsider. When the band started playing I was taken aback by Ed Moss’s piano playing for I wasn’t expecting it to be such a focal point and sound so wonderful. The rest of the band with percussion and horns brought the whole jazz experience to true fruition. I have had some experience with music of this nature mainly by visiting blues bars with my father as I grew up “mainly Burbank’s Bar in Sharonville”. However this was totally different and I found that the band to be very pleasant to listen to. Having never listening to jazz in......
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Concert Review Paper
...had to cancel due to health issues. The concert I attended was downtown, and I live downtown so the drive wasn’t far at all. I used Hilbert’s valet service that cost me $15 but I was worth it that way I wouldn’t have to waste any time looking for parking. Once I got into the building there was a little room located to the right between two sets of doors, I picked up my tickets there and entered the main lobby, there was a lot of people there, I noticed that most people were with larger groups, so I felt a little out of place because I was standing alone. I walked around and looked at the different tables that were set up with informational brochures. Once they opened the doors to the stage area the concert that was being held before, the Children’s Symphony, was released and we could go in and take our seats. As soon as I entered the area I was astonished, it was beautiful. Once I sat down I waited about 5 minutes then the concert began. I heard cymbals, tubas, French horns, trombones, bassoons, violas, cellos, violins, bass drums, timpani, violins, and many others. This whole concert was SCARY! My heart was racing almost the entire time. I don’t think I could have chosen a better concert to go to! I really enjoyed the cadenzas in the second movement. It was a nice break from the intensity of the rest of the music. I have never attended a concert so this will be my determining factor for how I judge other concerts and it defiantly set the bar......
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Concert Review Form/Paper
...MUS 101: IN-1 8 July 2013 Concert Review Form/Paper “First Time for Everything” Sunday, July 07, at seven thirty, I attended my first ever Orchestra in my thirty eight years alive on this planet. The Gateway Festival Orchestra of St. Louis “50 Years and Counting” at Brookings Quadrangle or known to students as "The Quad," located on Washington University Campus. The Quad has a grass recreation area surrounded by academic buildings and was very comfortable setting for the upcoming events I will soon explain in this review. The audience was near my age with a couple groups of the younger fresh out of high school generation. For the most part everyone in attendance was casual dress attire. Throughout the performance everyone remained very quiet. The performers looked very professional and elegant but in my opinion were a tad too sophisticated my taste. The Gateway Festival Orchestra of St. Louis was established in 1964 by William Schatzkamer. With support from the two locals of the American Federation of Musicians, the Gateway Festival Orchestra was created to provide free summer concerts performed by an orchestra of 50 professional musicians playing great music from the symphonic repertoire. Each of the summer concerts includes a major symphonic work and two or three smaller works. The informal atmosphere and free admission encourages family attendance. The concert celebrated 50 years of music with a selection of pieces performed over the years, including a......
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Oh Wonder Concert Review
...day my friend invited me to go to a concert at a music venue called the Casbah, that was able to occupy around 200 people. The band performing at this music venue was the english duo, Oh Wonder with Josephine Vander Gucht and Anthony West. At first I was a bit hesitant because at the time I did not know who they were and thought they were just some new duo trying to make it big, that would never actually make it, but after attending I was proven wrong. After attending Oh wonder’s concert I was immediately hooked. In the first song they performed called, “Livewire,” I instantly noticed how well Josephine's and Anthony’s voices merged together. The songs had this mystical quality to them and “Livewire” showed that. Anthony’s high voice and Josephine’s low voice merged perfectly together. Another thing I noticed throughout the concert was that most of their songs had very little instrumentation. Some examples of this were the songs “Heart Hope” and “All We Do,” which used only piano chords and some percussion used occasionally. Although I am a person who does like to hear instruments, Oh Wonder’s minimal instrumentation had no effect on my my enjoyment I had throughout the whole concert. Instead of relying on instrumentation to carry their songs, Oh Wonder relied on meaningful lyrics that depicted the songs meanings. This I thought really showed their true potential when it came to authentic songwriting. Even though I did enjoy the concert as a whole there were some......
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...A Concert Review Angela Champ, AA Jazz/Pop History Music 2217, Chicago State University Felton Offard, Intstructor Chicago, Illinois 04/08/2014 It was a cold winter evening in the Bible Belt of Atlanta, Georgia. It was the perfect evening for cuddling as thousands scurried into the Atlanta Civic Center on 395 Piedmont Avenue N.e. on February 15th, 2014 to escape the unusual cold in this part of the country. The ultimate concert lineup…Eric Benet, Mc Lightfoot, El DeBarge and Kem made for the perfect Valentine’s weekend celebration for me and my fiancée Steve. He flew me in to celebrate our very first of many holidays together. We sat in the in the balcony however the view was great as we were able to see all of the performers. However for time sake, I will give a review of Adekemi Owens, known professionally and affectionately to music fans as "Kem”. He is a self-taught musician, R&B/soul singer, songwriter, producer and multi-instrumentalist. Kem talks briefly about his stint with drug abuse and homelessness. After finishing high school, Kem left home when he was 19 and wound up struggling with drug and alcohol addiction. He was homeless for a period of time and bounced around from place to place. He ended up at a downtown Detroit shelter but things got worse and he was eventually sleeping outside on the streets. However, after being tired of going nowhere in life, he decided to make a chamge. He wrote, produced, and financed his self-released debut album...
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Jazz Concert Review
...colorful. I have always enjoyed listening to sounds which calm me down and maintain positive emotions. Although jazz music has never been my biggest interest, after I started learning about it in class I began to wonder about phenomena of Jazz. Surprisingly I found out it made me bobbin my head and feel warm inside. The performance I attended was at B.B King Blues Club and Grill located on near Times Square. This neighborhood means you will be battling with pretty big crowd but the place was generally pleasant and accommodating. The band played in a style of Ornette Coleman, known as one of the major innovators of the free jazz movement of the 1960’s. The band consisted four saxophones (2 altos, 1 tenor, 1 baritone) two trombones, three trumpets and instruments for setting rhythm. It was beautiful to see it life, all together, performing so professionally. The pieces were easy to listen to which was unexpected to me. The two songs that caught my attention were “Lonely woman” from 1959 and “Dancing in your head” from 1988. In the song “Lonely woman” I noticed many improvisations and solos. The beginning of the song reminded me of Brass Band’s funeral march from New Olean’s style. On the other hand, in the song “Dancing in your head” I noticed that instruments were not playing together, but they were improvising. I believe this style might be called ‘cool jazz’, which we were introduce to on our last class. In both songs, there were more improvisations than composed......
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Jazz is a musical style that began in African American communities in the southern United States around the beginning of the twentieth century. It was a new style of music that brought together music traditions from West Africa and Europe. Some of its West African musical influences give jazz its unique sound. Jazz has many different elements, which are improvisations, swinging, using blue notes, and combining different rhythms. I attended The Bill and Helen Murray Jazz Residency Program featured Ellery Eskelin on the Saxophone with Susan Acorn on the pedal steel guitar and Michael Formanek on the acoustic bass and The Towson University Jazz Faculty Ensemble Featuring Dave Balloy on the trumpet, flugelhorn, and piccolo trumpet, Jim Mc falls on the trombone and baritone, Tim Murphy on the piano, Jeff Reed on the bass and last but not least, Frank Russo on the drums and cymbals.
At each concert about four songs were performed. The musical elements in both performances that classify the music I heard as jazz were the swing rhythms and improvisations. The Jazz Residency Program was based on improvisations. Each player at this concert; had the ability to instantaneously compose, revise and perform their parts amazingly. As Ellery played the Sax, Susan and Michael played their instrument spontaneously creating fresh melodies.
At the Jazz Faculty ensemble, the musicians played songs that were previously written. Their musical styles were mostly bebop and swing with lots of call and respond. Jim Mc falls would play his trombone and all group members would follow after him. The song “Moodly” sounded like bebop, because there were a lot of bass drum bombs and tonal clashes. “Marsch der freien Sound Fur Funf Instrumente” was also a bebop song that was played with extended harmonies and tonal clashes.
Some of the non-traditional jazz elements that I heard were played at both of the Jazz Concerts. Susan Acorn played the pedal steel guitar, which I found to be a non-traditional element. The sound was completely different from what I had ever heard before. At the Jazz Faculty Ensemble, Dave Ballou played the Piccolo Trumpet for the last piece “Conversion”. The high-pitched sound made the song slur and blend with soft melodies.
Listening to each concert, gave me two totally different experiences. The Jazz Residency concert was all improvisations, so it didn’t remind me of any of the music I had heard before. The Jazz Faculty ensemble was a reminder of music styles like Art Tatum, John Coltrane, and Duke Ellington. When they played Hamster in a bucket it’s reminded me of “In a Mellotone” by Duke Ellinton. Then Dave Ballou played the trumpet in the song “Cry Baby” like Miles Davis played the trumpet in the song “So What”.
In conclusion, the quality of both performances was outstanding. Each performance was completely different and that’s what I loved. The jazz residency program was completely improvised, leaving me opened and surprised at every note each player chose to play. The Jazz Faculty Ensemble’s songs had a distinctive vibe. They made the sounds of their music come together and I felt the rhythm. I would defiantly pay to see each performance again. I left the concerts smiling, because I felt as if I knew exactly what they were trying to accomplish with their music. The two ensembles I attended featured some of the most talented musicians I ever heard performing at Towson University.